Dragon by Dragon – October 1981 (54)

Has it been that long since the last Dragon by Dragon? Time flies and time is tight, but there should always be time to travel down through that great gaming oak to the roots and ferment in the brew of our elders.

What the hell am I talking about? The bourbon is doing its job. Let’s get started on issue 54 of the venerable Dragon and see what inspiration we can pull from this issue. Yeah, this will be less review and more “what’s cool that we can use today”.

Cool Cover

How about those angry trees on the cover by Jack Crane. How about a high level druid illusion spell:

Maddening Wood
Level: Druid 7
Area of Effect: One 6-mile hex of woodland per druid level
Duration: One season

The druid enchants a woodland with terrible phantasms. When one approaches the woods proper, the trees loom over them and seem to animate, with grotesque faces and bony claws. Creatures with fewer than 3 HD must pass a saving throw vs. fear or be frightened away. Those who are not afraid initially may plunge into the woods, but things grow worse before they get better. With each step, a save is required for creatures one additional HD higher (i.e. one step in and creatures with 4 HD must save, the next requires creatures with 5 HD to save, and so on). If a creature becomes frightened, all creatures with fewer HD must save again. As one moves deeper into the woods, the wind whips up, the owls hoot, the foliage closes in and becomes more noisome … until one has gone 10 paces in, when the illusory magic ceases and the woods become normal once again.

Eternal Complaint Dept.

“My “lack of realism” argument is very well supported in all of the AD&D entries. By taking a close look you will find an incredibly large amount of monsters in a relatively small area, which, in most cases, has not the means to support even a few of the creatures presented.”

Ruins: Rotted and Risky – but Rewarding by Arn Ashleigh Parker (R.I.P.)

Here’s the first article I dug in this issue, covering ruins – the much neglected cousin to dungeons in D&D. The article contains ideas on designing ruined cities (and thus non-ruined cities), and I love the asumptions made in the article. These are fantasy cities from the mind of Mr. Parker, and they’re awesome. Here’s a few thoughts I enjoyed:

1. Give the players a map showing the perimeter of the ruins, with credit going to the party thief. This saves time, and doesn’t give too much away.

2. Go through the map and decide which buildings are monster lairs; don’t determine what the building actually is until the players investigate.

3. The table of buildings that might be in a ruin (and thus also useful for randomly determining building use in a city)

4. Random bank vault contents! (also useful in modern games, I would think)

5. “The chance for a given thief to open the lock on a bank vault is computed by multiplying the height of the vault (in stories) by 20, and subtracting that number from the thief’s normal percentage chance to open a lock. Thus, a 17th level dwarven thief with a dextereity of 17, who would have an adjusted open-locks chance of 119% for normal locks, has only a 49% chance of cracking a third-story vault, and no chance to open a vault on the sixth story, because the adjustment for the vault’s height (6×20=120) is greater than 119.”

This is what made AD&D great.

6. Private residences are 1d4 stories high. 10% are unusual and were owned by …

7. How long does it take to find a particular building:

 

The Righteous Robbers of Liang Shan P’o by Joseph Ravitts

Cool article with NPC stats for some bad boys of the Water Margin. They include Kung Sun Sheng (“Dragon in the Clouds”), Tai Chung (“The Magic Messenger”), Chang Shun (“White Stripe in the Waves”), Li K’uei (“The Black Whirlwind”) and Shih Hsiu (“The One Who Heeds Not His Life”).

This is followed up by a Giants in the Earth covering E. R. Eddison‘s Four Lords of Demonland.

I Want One of These

Would also be a great game – Wizard Dragon Dwarf Assassin

Beware the Jabberwock by Mark Nuiver

This one presents stats for the Jabberwock, along with a stunning piece of art. The B&T stats are:

Jabberwock

Type: Monster
Size: Huge
Hit Dice: 10 to 12
Armor Class:
Attack: 2 claws (4d4), bite (3d12 + swallow) and tail (2d12)
Movement: 20 ft.
Save: 12
Intelligence: Average
Alignment: Chaotic (NE) or Neutral (N)
No. Appearing: 1
XP/CL:

SQ-Surprised (1 in 6), darkvision 90 feet, detect vorpal blade (1 mile range)

Notes: Jabberwocks mature as do dragons. They have a fearsome gaze (creatures less than 4+1 HD; frightens; frightened creatures must pass a second save or be paralyzed with fear for 2d4 rounds). Tail attacks anyone behind the creature, with a -2 penalty to attack.

Cavern Quest by Bill Fawcett

Worth mentioning this module for AD&D, which is also a sort of quiz with a system for scoring. It’s strange, but probably worth checking out, especially if you want to prove you’re better at AD&D than a friend … or foe! Each room gives you a number of options, usually preparations and actions. Based on your choices, you score points and prove your superiority over other dungeoneers. Cavern Quest could be a fun thing to run on G+ using the polling function, but it is probably too long to make it work.

Cash and Carry for Cowboys by Glenn Rahman

If you need some price lists for an Old West game, this is worth checking out. I wish I’d seen it before writing GRIT & VIGOR.

Bottle of Undead by Bruce Sears

A magic item in the Bazaar of the Bizarre. It is basically an efreet bottle that spews [01-20] a ghost, [21-35] banshee, [36-55] 1d3 spectres, [56-70] 1d2 vampires or [71-00] 1d6 wraiths.

This Makes Me Happy …

As always, I leave you with Tramp …

Dragon by Dragon – May 1980 (37)

To be completely honest, The Dragon was not the biggest thing that happened in May 1980.

 

That being said, it may have been the biggest thing that happened in RPG’s that month, and that’s good enough for me. Let us delve into the top ten things about The Dragon #37.

#1. NEUTRAL DRAGONS

Arthur W. Collins fills in the alignment gap of dragons in this article, and introduces the gemstone dragons we have all come to know and love (well, some of us). These are dandy creatures, especially if you’re into psionics. What follows are some quick stat blocks in Blood & Treasure style for the gemstone dragons (all adults, max. hit dice):

Crystal Dragon, Large Dragon: HD 6; AC 18; ATK 2 claws (1d4) and bite (2d6); MV 20′ (Fly 50′); SV F9 R9 W9; AL Neutral (N); Special: Breath weapon (2/day dazzling cloud that cause blindness, 10′ cone), entrance (10% cumulative per minute of talking), implant suggestion (35%), telepathic, 50% chance of psionics, 50% chance of speaking, 30% chance of magic-use, druid spells (1/1/1/1), magic-user spells (1/1/1), save aura (+4 to save against), blink 6/day

Topaz Dragon, Large Dragon: HD 7; AC 19; ATK 2 claws (1d4+1) and bite (2d8); MV 20′ (Fly 50′); SV F9 R9 W9; AL Neutral (N); Special: Breath weapon (2/day dehydration gets rid of 3 cubic feet of liquid per dragon hp and deals 1d6+6 Str damage to creatures, 10′ cone), entrance (10% cumulative per minute of talking), implant suggestion (40%), telepathic, 50% chance of psionics, 60% chance of speaking, 35% chance of magic-use, druid spells (2/2/2/1), magic-user spells (2/2/2), save aura (+4 to save against), blink 6/day

Emerald Dragon, Huge Dragon: HD 8; AC 20; ATK 2 claws (1d6) and bite (3d6); MV 20′ (Fly 60′); SV F6 R8 W8; AL Neutral (N); Special: Breath weapon (2/day; sonic vibration knocks people unconscious for 1d6 x 10 minutes or deafens them for same if they save), entrance (10% cumulative per minute of talking), implant suggestion (50%), telepathic, 50% chance of psionics, 70% chance of speaking, 40% chance of magic-use, druid spells (2/2/2/1), magic-user spells (2/2/2/1), save aura (+4 to save against), blink 6/day

Sapphire Dragon, Huge Dragon: HD 9; AC 21; ATK 2 claws (1d6) and bite (5d4); MV 20′ (Fly 60′); SV F6 R8 W6; AL Neutral (N); Special: Breath weapon (2/day, sonic vibration disintegrates a number of hit points equal to the dragon’s hit points), entrance (10% cumulative per minute of talking), implant suggestion (55%), telepathic, 50% chance of psionics, 80% chance of speaking, 45% chance of magic-use, druid spells (2/2/2/2), magic-user spells (2/2/2/2), save aura (+4 to save against), blink 6/day

Amethyst Dragon, Huge Dragon: HD 10; AC 22; ATK 2 claws (1d8) and bite (5d6); MV 30′ (Fly 80′); SV F5 R7 W5; AL Neutral (N); Special: Breath weapon (2/day shriek like a banshee), entrance (10% cumulative per minute of talking), implant suggestion (65%), telepathic, 50% chance of psionics, 90% chance of speaking, 50% chance of magic-use, druid spells (2/2/1/2/2/1), magic-user spells (2/1/2/2/2), save aura (+4 to save against), blink 6/day

Sardior the Ruby Dragon, Huge Dragon: HD 11; AC 23; ATK 2 claws (1d10) and bite (5d8); MV 30′ (Fly 80′); SV F5 R7 W5; AL Neutral (N); Special: Breath weapon (2/day shriek like amethyst dragon or dazzling cloud like crystal dragon), entrance (10% cumulative per minute of talking), implant suggestion (75%), telepathic, 50% chance of psionics, 100% chance of speaking, 100% chance of magic-use, druid spells (3/3/3/3/3/3/3/3), magic-user spells (3/3/3/3/3/3/3/3), save aura (+4 to save against), blink 6/day

Inflict one on your players today!

Side Trek #1 – Fiends!

“On other fronts, it seems likely now that TSR and Games Workshop have reached a final agreement regarding the publication of the Fiend Folio …”

Love the Fiend Folio. Love it.

Side Trek #2 – Calling Mr. Hall

“Question: My character is a 9th-level Druid changed to a Magic-User (he is now 10th level as a M-U). I want to be able to put my previously owned Apparatus of Kwalish inside my newly acquired Mighty Servant of Leuk-O. Then I would have the ultimate weapon …”

#2. Happenstance

So I’m knee-deep in writing Black Death, which is set, vaguely, during the Thirty Years War and the Wars of Religion. What article do I happen to come across, but “Armies of the Renaissance by Nick Nascati Part VI – Landsknect and Reiters”.

Apparently, the Landsknecht army (and my game) should include:

Infantry – pike-armed, in the style of the Swiss pikemen they were trying to counter

Light Cavalry – dressed as landsknechts, armed with arquebus or crossbow – trained as skirmishers and scouts

Ritters – armored lancers with full plate, battle lances and longswords, and plate barding for the horse

Reiters – black-armored pistoliers, they took two form – light reiters wore a shirt of mail and heavy reiters wore half-plate; both carried three wheellock or matchlock pistols and an estoc

The landsknechts were true mercenaries – a good war to them was one with lots of prisoners they could ransom!

#3. Magic-Users are Experience

T. I. Jones presents a very long article about magic research for magic-users and clerics. I think it’s one of those interesting pieces that tried to deal with all that treasure that was floating around in AD&D. The idea, which I generally ascribe to, is to keep the players needing money, and that keeps them delving into dungeons. The DMG had training costs, which we never used when I was a kid and which I now understand were kind of important to the game. There was also the expense of one day setting up a stronghold. This article gives another – magic research. For example:

“Research in one’s own library will require that such a library have been acquired and built up over the course of several levels of experience. It should be not only difficult but expensive to acquire such a library—a minimum expenditure of 10,000 gold pieces per level of the spell to be researched is recommended. That is, if a Magic-User is to research a second-level spell, he should have spent at least 20,000 gold pieces on his library.”

#4. Libraries

Speaking of libraries, the next article, by Colleen A. Bishop, is a random book generator. Let’s build a library shelf by rolling some percentile dice:

Our shelf contains 250 scrolls (holy cow! – I’m not rolling up all of those) and five books. There’s a 4% chance of a scroll being magic, so there should be 10 magic scrolls on the shelf. The books are two histories of particular castles, a book about the inferiority of kobolds to human beings, and another about how humans are better than dwarves and an alchemist’s notebook in which the writing is too difficult to read.

This would be an excellent random table to automate, to produce large libraries quickly.

#5. Giant in the Earth

Lawrence Schick and Tom Moldvay present another batch of literary heroes for D&D. This time, the article does not include any character stats. Rather, it describes the rationale used by the authors for creating their stats. The article includes a great passage about doing stats for Tolkien’s creations …

“As far as writing up the characters from Tolkien’s Ring Trilogy, we would love to try our hand at them. Unfortunately, the Tolkien estate is known to be fanatically paranoid about the slightest possible infringement of rights (whether real or imagined). We were also unwilling to attempt them because 90% of the Tolkien fans would be unhappy with the results, regardless of what they were. In the end, we decided it was simply too much hassle to write up Tolkien characters.”

Yeah, this would be post-lawsuit.

The article has a nice table comparing AD&D to D&D levels, which I reproduce:

AD&D 21+ = D&D 40+ / equivalent to demigods, for characters with magically extended lives or who are in close contact with the gods

AD&D 17-20 = D&D 30-30 / the max. an exceptional character would obtain in a single lifetime

AD&D 13-16 = D&D 20-29 / average for heroic characters

AD&D 9-12 = D&D 10-19 / normal minimum for any hero

AD&D 5-8 = D&D 5-9 / this line was actually missing from the article

AD&D 1-4 = D&D 1-4 / low-level cannon-fodder

#6. Urban Encounters

Here’s a nice table folks should find some use for …

#7. Nothing New Under the Sun

From the letters to the editor …

“Unfortunately, I do not feel so good about Mr. Fawcett’s article, “Angels in Dungeons and Dragons.” Yes, I did read the article’s opening statement about the source material being both religious and fictional in nature. As a DM, I will admit that the concept of having angels for the deities of a mythos is intriguing. However, it is the source material that bothers me. Let us remember that much of the article was derived from the Holy Bible, and as far as I’m concerned that is not a book to be taken lightly! Games are games, but the Word of God is not something to be used in such a manner.

I happen to believe in the Bible. However, I also happen to believe in the Constitution, and I respect your right to print what you wish. But I think that “Angels in Dungeons and Dragons” was in extremely poor taste.”

#8. Magic Items

Some goodies in the Bazaar of the Bizarre this month. Here’s an inventory:

Mirror of Speed
Mirror of Confusion
Mirror of Memory
Mirror of All-Seeing
Yefar’s Great Mirror (all by Gerald Strathmann)
Rod of Singing by Robert Plamondon (cursed  item)
The Discus Shield by Roger E. Moore

#9. Vulturehounds

A cool monster by Chris Chalmers and Dan Pollak. Quick stat block

Vulturehound. Small Magical Beast: HD 2; AC 15; ATK 2 claws (1d3) and bite (1d6); MV 50′ (fly 30′); SV F13 R11 W18; AL Neutral (N); Special-None.

They run around in groups of 4d6, and have voracious appetites. I think they’d be a great encounter in dry hills.

Side Trek #3 – I love McLean!

Always loved the art style, and the humor

#10. The Pit of the Oracle

A module by Stephen Sullivan, with a nice cover image by Jeff Dee in which a fighter is either doing a bad-ass, casual back strike against a troglodyte, or in which a fighter is about to get his ass kicked by a couple troglodytes.

The module contains a dungeon and a town (and a Temple of Apathy), as well as some other nice art pieces by Dee, Roslof, Otus and Sutherland. You can tell the elements of D&D’s most classic phase are all coming together.

The map has all sorts of notations on it, which makes me think the adventure is a bit complex … but it also looks really cool. Hey, maybe that’s just the art talking.

And that’s Dragon #37 – happy Sunday folks and have a groovy week ahead.

Dragon by Dragon – October 1979 (30)

We’re baking here in Vegas , so perhaps a nice magazine from the fall of 1979 will put me into a cooler mindset.

I know – The Dragon #30! That’s the ticket!

But, of course, October isn’t about being cool. It’s about being horrified. ’79 was a good time for that, and not just because of the Carter administration. ’79 was The Amityville Horror, Alien, Phantasm, The Brood, Nosferatu the Vampyre, Dracula … and I never saw any of them. Frankly, not a horror movie fan. Let’s get to the magazine.

First – the cover. What a great cover. I love covers with lots of little details, lots of things to get the brain ticking.

Dig this from the opening of Kask’s editorial:

“As I am writing this (11 Sep), DUNGEONS & DRAGONS is getting the publicity that we used to just dream about, back when we were freezing in Gary’s basement in the beginning. If we had our ‘druthers’, it would not have happened in such a fashion. By now, as you read this, I hope the mystery surrounding the disappearance of James Egbert has been happily resolved. Whatever the circumstances of the incident, it has been a nightmare for his parents and family, as well as for TSR Hobbies, Inc. It has been speculated that James was involved in some sort of D&D game that went beyond the realm of pencil and paper roleplaying, and may have mutated into something tragic. D&D was seized upon as a possible connection to the disappearance, for a variety of reasons. First, James was an avid player. Indeed, I have met him at past conventions,
and he used to subscribe to TD.”

And so it begins. In case you don’t know, James Dallas Egbert III was a student at … well, you can read about it at Wikipedia. This may have made D&D more famous, but it also started the backlash against it by morons everywhere dedicated to ruining innocent fun. Worst of all, it led to the TV movie Mazes & Monsters, starring a young Tom Hanks. Not all the Money Pit in the world can make up for that.

The Game’s the Thing … and I Used to Think GenCon Stood for General Confusion
by Kim Mohan

You might recognize Mohan’s name. He was a the new kid at TSR when he wrote this review of GenCon XII. In short – he liked it.

Where the Orcs Are
by Steve Brown

This article features a bitchin’ miniature diorama by Steve Brown. He wanted to enter it into the miniatures contest at GenCon XII, but it didn’t fit into any categories. Nevertheless, it was awesome, and had to get some love, so …

I’m going to assume the picture in the article doesn’t do it justice. Actually, there are a dozen photos, and the underground orc castle looks incredible. Brown says it took him a year to do the thing, and it carried a price tag of $4000 at the con (which would be about $13,000 in todays dollars, proving that the geek community has never been all that swift with their time and money … thank God).

Leomund’s Tiny Hut: Good Evening
by Lenard Lakofka

This was the first of the Leomund’s Tiny Hut’s, which were usually interesting articles that covered all sorts of gaming topics. This one, appropriately enough, is about vampires. It digs into the AD&D vampire, going in depth on its abilities and answering questions gamers might have had about the monster. For example:

1) Once the vampire’s hit points are calculated (it has 8+3 HD), they do not vary – i.e. you do not re-roll hit points when it regenerates in its coffin. Back in the day, there was an idea that adventurer’s re-rolled their hit points for each adventure (an idea I actually kind of like – to represent when people are super on their game, and when they aren’t).

2) Vampires don’t want too many lesser vampires under their control – really no more than 4. It sounds like the vampire wants to make sure there are plenty of living people to feed on, so he has to take care. Like a shepherd and his flock. And lesser vampires don’t create more lesser vampires.

3) Here’s one that got me: “The Vampire’s existence on the Negative Material Plane …” Wow – dig the idea. Maybe it was widespread. A negative material plane, duplicate of our own in some ways – but probably a nightmarish version – inhabited by the undead who also have an existence in the positive material plane. Neat. And what a great place to set an epic adventure!

4) It takes 1-4 segments for a vampire to transform (a segment is a second, for those not steeped in the timekeeping of AD&D), but only 4 if the vampire is surprised. After one segment to adjust, it can be mobile. When a combat round was predicated on segment-by-segment actions, this would be valuable information.

5) It still takes a magic weapon to damage a vampire in bat form.

6) A vampire in gaseous form “scattered to the four winds” can reform in 1-100 segments (i.e. less than 2 minutes). Also – DM’s should pre-set a hit point total at which a vampire will go gaseous.

He also gives some ideas about how to properly dispose of vampires, the spells they are immune to, details on regeneration, “lesser” vampires, summoning and charming, etc. It reminds me of the “Ecology of …” articles they used to do.

Observer’s Report: ORIGINS: Chaos With a Happy Ending
by Fantasysmith

To begin with, a note:

“This OBSERVER’S REPORT is written by the same person that does FANTASYSMITH’S NOTEBOOK. He prefers to do both under the pseudonym FANTASYSMITH, for reasons that he has made clear to us, and which we will honor.”

I think I just realized that Fantasysmith was, in actuality, Richard Nixon! I have no proof yet, but I’m launching a new Kickstarter to raise $1 million to help me get to the truth.

And now, I have to quote the first line of the article:

“Fluid sugar draws bees, fluid filth draws flies, and fluid situations attract the chaotic. This last was the case at ORIGINS ’79.”

Sheer poetry.

And now, an advert …

Cool module. Cool art. And remember, “tell them you saw it in The Dragon”.

From the Sorcerer’s Scroll: New Setting for the Adventure
by Gary Gygax

Here, Gygax talks about the relationship between TSR and TSR Periodicals, and his relationship as publisher vs. Tim Kask as editor and … yeah, I know. Who cares?

He then talks about the “Mugger” article from a couple issues back, and how it is both funny and great inspiration to look at different settings for games, in this case, the mean urban streets. Gary also gives us the lowdown on an adventure he’s working on in which adventurers in a city in the World of Greyhawk delve under that city and somehow end up in a subway tunnel in the modern world. He gives these guides for the particulars:

– In the city setting, magic will work, although cleric spells above third level will not. Of course, firearms also work.

– The perils of the place — police, street gangs, muggers, criminals of other sorts, citizens with
karate training or able to box, those with guard dogs, etc. — will be numerous and different.

– Weapons aren’t difficult to rate according to damage. Electricity will be interesting — low-tension AC giving but 1d6 damage (4d6 if the party is well grounded), low-tension DC doing 1d6 each segment until the victim is freed, and high-tension DC doing 1d20 in the same manner.

– Cars will inflict 1d4 damage for each 10 mph of speed. Small trucks will get a d6, large ones a d8, and trains a d10 for each 10 mph.

– Each special character (guard, policeman, street tough, mugger, etc.) will be given a level roughly corresponding to those of AD& characters, although the type of dice used will be non-standard.

– If the adventurers survive and manage to return to their own place in the multiverse, they will have little in the way of treasure — at least in all probability. Firearms will not work in the World of Greyhawk, of course.

He ends by pointing out that Schick and Moldvay make some of the heroes in their Giants in the Earth series too powerful. Now’s a good time for me to preview the way I’m rating fictional and real NPC’s in GRIT & VIGOR – by the number of years they’ve been active:

The New, Improved Ninja
by Sheldon Price

This is a set of rules extensions for the ninja class, which was published at some point in the past – I don’t remember the issue, and they don’t mention it here.

This version of the ninja is based on the book NINJA: The Invisible Assassins by Andrew Adams, published in 1970 by O’Hara Publications, Inc. of Los Angeles, California. Yeah – you can get it at Amazon.com.

The article starts out with weaponry. Here are some highlights:

In the hands of a ninja, the hankyu (short bow) fires at twice the normal rate.

There is a 5% chance per day of searching that a ninja can find 1d6 plants that work as caltrops.

It takes one week, and costs 2 sp, to make metal claws for the hands and feet.

Staves had small missiles attached to one end that could be thrown by flicking the staff.

Poison water guns have a range of 60′, and produce a cone of water 10′ wide at the base and 60′ high. The main use is to blind eyes – it takes 1d12 rounds to clear the eyes.

The weird signs the ninja makes (called kuji-kiri) are not magical, but they restore his morale and entrance non-ninjas (saving throw allowed).

Ninjas have two kinds of sandals – essentially they can replace the soles. One gave better traction, the other a more silent step.

Ninja can wear up to chainmail, and they can pad it so it remains silent without adding encumbrance.

Ninja can foretell the weather in the short term. Which is nice, because when assassination just ain’t paying, they can becomes TV weathermen.

They are also “earth aware” – can find good places for ambushes – and “man aware” – can manipulate people.

There is a huge list of special ninja equipment, from special torches to swimming flippers and rocket arrows.

There is a section on poison (the substance, not the metal band). Gyokuro is a poison that causes slow death – it kills the ill in a few days, and the healthy in 70. Wouldn’t that be a fun way to end a PC’s life. “Sorry Bill, you suddenly collapse dead in the street while haggling over that beaver tail soup. Turns out a ninja poisoned you a couple adventures back.”

Ninjas can make laugh-inducing poisons at level 4, sleep-inducing poisons at level 6, and insanity-inducing poisons at level 8.

Ninjas also have healing abilities, mostly on themselves, but I would think they would work on others.

Basically, ninjas are awesome.

Lankhmar: The Formative Years of “Fafhrd” and “The Mouser”
by Dr. Franklin C. MacKnight

For those not in the know, Lankhmar is not only the setting of Fritz Leiber’s stories of Fafhrd and the Mouser, but also a game. This article is written by a friend of his, and thus witnessed the birth of the Nehwon stories and the game. From the author:

Lankhmar wasn’t just a game, it was an adventure. The pieces were not mere abstractions, but heroes with personalities with which one identified. It provided an esthetic thrill unequaled in my experience in any other game anywhere.”

Starring Barry Gibb as Fafhrd

Add Lankhmar to the list of games I want to play. The article goes on to explain how the game was originally played (before it was turned into something more commercially viable in 1976 – see HERE).

We also get this tidbit about Harry Otto Fischer:

“Harry not only looked like Edgar Bergen’s Charlie McCarthy but had a similarly extroverted temperament and wit. The famous puppet could have been copied from him!”

The article is a must read for folks who love the stories. Great background stuff.

Design Forum: Boot Hill? Sure! But What Scale?
by Ralph Wagner

That title is such an artifact of its time. We don’t live in a magazine world anymore, and whenever something passes from now to then to what, so many little things pass with it. I’m only 43 years old, but the then I was born into is rapidly becoming a what. I think my childhood and the childhood of people born in 1900 have more in common than my childhood and people born just 20 years later.

Oh – the article. It’s about what scale miniatures to use with Boot Hill. Personally, I would have gone with these bad boys:

Found at Etsy … already sold. Damn.

Designer’s Notes: Flattop: A Long Game but a Strong Game
by S. Craig Taylor, Jr.

This is a discussion of Flattop, a game that covers the Coral Sea-Solomon Islands geography during 1942, specifically the three carrier-to-carrier battles of that year, Coral Sea, Eastern Solomons and Santa Cruz. Mr. Taylor was the game’s designer and developer, and he has a few insights about it, in particular about victory points and the difficulty in writing a truly original game. Sounds like a pip. And a great cover, by the way.

Up on a Soap Box: Standardization vs. Playability
by Bob Bledsaw

He discusses the value of standardization in a game, but also its limitations. Wow – I’m sure you didn’t see that coming. Mostly, he describes how he does his own campaigns – how he handles the races and technology and religion. Could be some useful stuff to the newbies – after all, at this point almost everyone playing the game was a newbie. By being a basic framework, D&D opened the doors to a whole new world, and everyone was feeling out what they could and couldn’t do in that world.  What a great time.

And look at this little ad that popped up on page 21:

Things are about to get weird. If you are reading this and haven’t heard of Arduin, look it up.

Armies of the Renaissance
by Nick Nascati

This is Part V, and covers the armies of Eastern Europe – Poland, Hungary, Russia and the Ottoman Empire. It’s a good article – one page, two column, and covers the basic very nicely. What if we came up with a big d% table with 100 entries that determined a first level fighter’s starting equipment, based on various historical warriors (and maybe Buck Rogers thrown in just for fun). Might have to do that for the blog.

Tournament Success in Six Steps
by Jon Pickens

Tournaments were such a big deal in the old days. I wasn’t a con-goer then (or now, to be honest), so my only exposure to them at all was in some of the old AD&D modules I owned, which had a section on using the module in a tournament, with the points scores, etc.

Here a quick version of Jon’s rules for success:

1) Get in – i.e. sign up for a game. If you don’t get in the first round, sign up for the second.

2) Use magic to get rid of obstacles that would take too long to overcome the old fashioned way.

3) Have a plan (always a good idea).

4) Pay attention to the DM, and if something seems amiss, question him. He might only give out certain bits of information if the right questions are asked.

5) Don’t waste time.

6) Never quit – avoid combat as much as possible, but if you have to do it, do it with extreme prejudice.

Finally, never argue with the DM. If you think he or she screwed up, bring it up politely.

Out on a Limb

Ah – letters to the editor time. Here’s a dandy:

Q: “Something has been bothering me about the Druid class in DUNGEONS & DRAGONS. That is, I know of a couple of people in Chapel Hill who don’t know each other, but they are both the ‘Great Druid’.

A: “The stricture regarding the number of high level Druids is on a per world basis.”

He kindly didn’t add, “dumbass”.

Geek Rage of the Week:

“En garde, Master Rahman and those of you who defend such shoddy pieces of work such as Bakshi’s. (I’ll refrain from referring to it as the ‘Lord of the Rings’).”

Good Advice of the Week:

“It is my contention that all “good” referees should make it their duty to change large portions of the concepts presented in any given role-playing game.”

Terrible Augury of the Future:

“As you may have noticed last month, Wormy has returned. Wormy’s creator got married and moved to California, but he promises that Wormy is back to stay. As to more of Dave’s art, that is up to him and his job in CA. One can always hope . . .”

Cool ad for Dragon Tooth Fantasy Figures:

I haven’t done a random encounter table based on a mini’s ad in a while, so here goes:

d10

1. Rogue or thief (roll 1d4 for level) in leather doublet with short sword, mounted on light warhorse. Wears cloak and floppy hat. Will do anything to steal your purse.

2. Sorcerer (roll 1d5 for level) in the middle of casting one of his highest level spells. Will be extremely cross if you mess it up.

3. Swordsman (roll 1d6 for level) armed with sword and spear.

4. Rictus, the Zombie King; zombie with 12 HD and the strength of a hill giant (+4 damage).

5. Swordsman Kane, a neutral evil 8th level fighter from the terrible north, escaping his love of a good woman who threatened to turn his heart to good. Has +1 scale mail and greatsword.

6. Sorceress (roll 1d8 for level); she holds the mystic Moon Staff of Myrmidor, which can cast all sorts of cool light spells, and confusion and which can cast hold monster, at will, against lycanthropes. She rides a light warhorse.

7. Cleric in mitre with mace. Roll 1d10 for level. He is suffering a crisis of conscience, as he caught mother superior stealing milk and didn’t damn her.

8. Fool or jester, recently released from his master’s service and very hungry. He is a 1st level assassin.

9. Bard or harpist (roll 1d12 for level) in puffy velvet clothes and a great hat. He carries a silver longsword and a golden lyre that charms fey, 4/day. He rides a dapple grey light warhorse. He is arrogant and good-natured.

10. Swordsman Roland (level 9 fighter), with scale mail, +2 shield (axes stick to it on a roll of 1-2 on 1d6) and a major chip on his shoulder towards paladins and rangers (they think they’re so awesome).

Also, found this old issue of Popular Mechanics about painting Dragon Tooth miniatures.

Also, dig this 1978 catalog (which I’ve probably already posted at some point).

Giants in the Earth
by Lawrence Schick and Tom Moldvay

This edition of G in the E features Piers Anthony’s Sol of All Weapons (LN 20th level fighter, 14th level monk), Tanith Lee’s Zorayas (LE 23rd level magic-user) and Clark Ashton Smith’s Maal Dweb (LE 20th level magic-user).

I dug the little advert for Cities, by Stephen Abrams. I did a search and found that he did a few versions of this book, including one for Runequest. I think I’m going to by myself one. I’m intrigued. If I do, I’ll post a review.

The Dragon’s Augury

The games reviewed in this issue are Spellmaker reviewed by Bruce Boegman, Black Hole reviewed by David Cook and Down Styphon reviewed by Kenneth Hulme.

Spellmaker (1978, by Eric Solomon) pits powerful wizards against one another, trying to transport a princess to their castle to win the game. The reviewer calls it a “rare gem”, and I must admit, it sounds pretty cool. The spells are card-based, and I’d love to see a deck of them.

Black Hole (1978, by Robert A Taylor) pits two mining cartels against one another to capture a donut-shaped asteroid with a black hole tethered in the middle. The review is positive, so it might be a good con game for two.

Down Styphon! (1977, by Mike Gilbert) sounds pretty interesting. It is based on the book Lord Kalven of Otherwhen by H. Beam Piper, in which a Penn. State trooper is transported to a parallel earth where the secret of gunpowder is controlled by a bunch of priests. The trooper knows how to make gunpowder, better weapons and he knows something about the “future” of warfare. The game is a miniatures wargame in the musket and pike era. It is apparently a very playable game with only OK layout and some missing stats for artillery (which are provided in the review).

Bazaar of the Bizarre: Orlow’s Inventions Can Liven Up Your Life
by William Fawcett

This article could be a great blog post – a random list of minor magic items that include spoons of stirring, brooms of sweeping, needles of sewing, amulets of caterpillar control, socks of dryness and matches of many lights. This stuff would be so great for putting in a wizard’s tower. Just awesome – if you can find a copy of this issue, find it for this. I’d post the random table, but it’s a little more than I’d be comfortable sharing considering the mag is copyrighted.

So, Different Worlds gaming mag. Never heard of this. I hunted down some descriptions, and apparently some issues you can still buy. I love the art in the ad, and would love to see a sample issue in PDF. There is so much buried treasure out there for gaming!

I also have to share this ad, for on heck of an artist for hire …

… who is still out there working, thankfully.

Dig Tramp’s minotaur in Wormy. So cool.

Dragon’s Bestiary: The Curst
by Ed Greenwood

I’m not sure if this is the first thing in the magazine by Ed Greenwood or not. The curst are still roaming about in the Forgotten Realms setting. Humanoids (98% are human stock) that have been cursed and cannot die, they are chaotic neutral, retain their class abilities except psychic powers and magic, gain infravision 90′ and apparently have no sense of smell. In modern parlance, they would be a “template”.

Finieous Fingers shows us what failing a surprise roll looks like.

And that does it for The Dragon #30. A pretty good issue, overall, with lots of interesting artifacts of the old days of gaming that I love. Seriously – find a copy and check out the minor magic items article – well worth it.

Navigating a Fantasy World with Google

I was looking at some paintings this morning by British artists working during the Victorian period. The painting below was painted by Richard Parkes Bonington in 1826. It depicts the Rialto in Venice.

From this great blog

Since the Rialto is a landmark, I decided to have a look on GoogleEarth …

 

Not the same angle, of course, but close enough. This got me wondering how useful it would be to use GoogleEarth’s street view for fantasy gaming. I’ve used it in the past for a Mystery Men! game, mostly to stage a chase and fight in Chicago IL. That was set in the 1960’s, so not so far in the past that the modern cityscape wasn’t close enough to use “as-is”.

This section of Venice has some nice alleyways that appear to be “walkable” in GoogleEarth, and the buildings don’t seem terribly different from 1826, when the above painting was painted. It makes me think that by picking an old city, and jumping into the old part of that city – the part that’s been kept “oldey-timey” for the tourists – you might be able to turn it into a fantasy city and navigate players through using random encounters and random building tables, and a few set pieces, to facilitate play and give them a better reference point when fights break out or cut purses nab their gold and a chase ensues.

Some other cityscapes that might prove useful …

Carcasonne, France – be sure to have your adventurers stay at the Best Western Hotel le Donjon.

Edinburgh, Scotland

Ghent, Belgium

Prague, Czech Republic

Siena, Italy

Unfortunately, many cities outside of Europe don’t have street views available, such as Algiers’ famous Casbah. You can at least use the street maps, though, and supplement it with old paintings.

You can also use real world landscapes from GoogleEarth for wilderness exploration to provide something more visually stimulating than a simple hex containing a landscape symbol. The NOD hexcrawls use 6-mile hexes. Below, a roughly 7-mile wide chunk of the Himalayas.

Much better than a hex with a triangle in it, don’t you think?

You can zoom in as you play and, depending on the resolution of an area, have a better understanding of the path that has to be taken, and maybe find a convenient spot for a dwarf village or red dragon lair. The pictures can give the players a better understanding of what they’re going through.

You’re walking up a narrow defile. The ground is covered with gravel and boulders, and the slopes tower above you on either side. Strange noises echo down the defile …

And what about random weather? Well, why not just use today’s forecast? How is this bit of the Himalayas doing today? Rainy, fairly warm (well, when this post was written, anyways).

Just a few ideas for leveraging modern technology for better tabletop gaming. If you have any tips and tricks, please wax poetic in the comments, or toss in a link to a blog article you wrote.

Bedevil Your Players with NPCs

OMG – Did you hear what the magic-user said about the illusionist?

While city-based adventures can be a nice change of pace in RPG games that spend most of their time in dungeons, I think that cities and towns should usually be safe places for adventurers to visit. After all, of the three setting types in most fantasy games – settlements, wilderness and dungeons – two of those three are supposed to be geared towards killing the players. Settlements should be a place where adventurers can heal, resupply and prepare for the next delve into danger (well, except at night, when the vampires, assassins, chaos cultists and thieves are stalking the streets). Without the chance to recover and build, how are they going to do what the game intends them to do?

That being said, there is no reason why settlements cannot present new and interesting challenges to the players. Challenges is the key word here , not dangers. Challenging NPCs can make a visit more interesting without killing or harming the characters physically.

Here are a few ideas for obstreperous NPC’s to bedevil the player characters …

Obstreperous NPCs

1. The Spy – Always nosing into the adventurer’s business, and selling their secrets to interested parties (i.e. the man in the shadows). Spies can help move an overarching plot that develops slowly, and eventually become a source of adventures.

2. The Gossip – Spreads rumors and gossip around town concerning the adventurers, and not always that accurately. The gossip can tip off rivals* and piss off neutrals and allies, making life more difficult and expensive for the adventurers.

* Rival adventurers, of course – I strongly suggest rolling up one or two rival adventuring parties. They use the same town as their base of operations, and thus bump into the adventurers in the local tavern and compete for hirelings. More importantly, when adventurers are trying to clear out a dungeon, the rivals might get to key rooms first, or even run into the adventurers as a wandering monster.

3. The Buffoon – An idiot who wants to help the party, but his help always turns out to hinder (e.g. Gilligan or Joxer the Mighty). The idiot really does mean well, so non-evil characters may have a hard time getting rid of him.

4. The Braggart – A loud-mouth braggart who challenges the PCs at every turn, but couldn’t possibly handle him- or herself in a duel. Unfortunately, the braggart can make things tough on the PCs if they fight back – perhaps their father is wealthy or powerful.

5. The Nemesis – Counts one or all of the PCs as her enemies, to be crushed, destroyed, demoralized or generally messed with. The reason lies in the past, and may be an event so minor the PCs don’t remember doing it. Naturally, the nemesis does not attack openly, and may even appear as a friend and ally. The nemesis attacks through others, and has friends in high places.

6. The Fanatic – The PCs biggest fan, a person with no life of his or her own who has latched onto the PCs, living vicariously through their adventures. The fanatic brags about them, which can create problems with rivals, and begs for chances to adventure with them. If the fanatic’s illusions are shattered, they will turn quickly against their former idols.

7. The Mixer – Likes to start trouble, especially between the adventurers and their allies or retainers, or within the ranks of the party itself. The mixer is cunning and seemingly harmless and innocent, and almost always poses as a concerned advisor and friend.

8. The Schmuck – The schmuck is genuinely likeable and good … and completely hopeless. They are always in need of money or help because they bit off more than they can chew (gambling debts, a fight with a bully, trouble with the tax man or loyal aristocracy, etc.). No matter how much the adventurers help, the schmuck will always screw it up or require more help.

Think about introducing one or two of these annoyances in your next city adventure, and spend enough time on them to make them worthy of being reoccurring NPCs in your game.

Three Villages of Cush

What an insane week!

I’m a day or three away from releasing NOD 16 and B1 – The Tumbled Towers, an intro module for Blood & Treasure with some pre-generated characters. B1 – The Tumbled Towers will be a free download, and probably a pretty cheap print product (cause it’s short!).

Since things are so berserk lately (it’s quarterly report time in my real job), I’m going with another Cush preview today. Enjoy!

15.41 Kaba: Kaba is a large village of 250 people set amidst large groves of butter trees, which produce a fruit favored by both humans and baboons. The village has tall stone walls with locked gates and narrow streets. During the day, people are out and about, tending the groves, hunting in the jungle, cooking their food, repairing tools, etc. As soon as the sun begins to sink, though, they lock the village gates and go inside, locking their doors and not opening them for anything. This is because a band of ghouls has found its way to their village, finding the secret places in the jungle where they have buried their dead and feeding on them. They have made incursions into the village and killed several men and women, turning them into ghouls as well, who are now obsessed with feeding on their relatives and loved ones. The village leader, a sage called Sambwa the Wise (Adept 3; 4 hp), has no idea what to do about the ghouls. The people will not allow him to dig up the bodies of their ancestors and burn them (though the newly died are burnt now, outside the village), and the graveyards are not safe to approach anyways. He has sent a few warriors out to other villages seeking help from monster slayers.

16.26 Nameless Village: On a hill overlooking the lazy Jamba River there is a village (pop. 230) surrounded by a palisade. All of the buildings in the village are narrow towers built of limestone quarried in the middle of town. The people of this nameless village are squat, thick, grey-skinned humanoids with toothless mouths who communicate with sign language and a clicking sound they make with their thick tongues against the roof of the mouth. The people are accomplished sculptors and surprisingly agile for their build.

The village supports several sculptors, a master mason and an inn. The inn has been built into an empty quarry, with people sleeping in deep, narrow alcoves dug into the walls. The innkeeper serves palm wine in crystal decanters and slugs and snails spiced with ground pepper. The town’s main protectors are a quartet of 1st level fighting-men armed with spears and falchions. The village has no apparent leader.

The village’s treasury contains a silver falchion, four golden-brown capes (worth 5 gp each), eleven tiny ivory flutes (worth 20 gp each), a pair of copper gauntlets with only three fingers (worth 100 gp), a brass-capped bone cane (worth 200 gp) and a lead (triple weight, AC 14) cuirass bearing the symbol of Atum.

18.02 Chimpanzees: A tribe of 100 intelligent chimpanzees dwells here in a collection of odd huts reminscent of the mud-nests of the termites, though larger. Each hut ranges in height from 15 to 30 feet, and can only be entered from above. Between the huts there are pens for the chimpanzee’s dogs – some for riding, others kept for food. The warriors of the tribe (there are 40) carry shields and wield long gnarled clubs. The chimpanzees are led by a grizzled male called Bobo, who smokes a long, iron pipe and wears a tattered purple cloak. A diamond stick pin worth 500 gp is hidden in the hem of the cloak.

Dragon by Dragon – July 1977 (8)

Vincent Price?

And so we come to #8, which kicks off with an article on The Planes from Gary Gygax, subtitled “The Concepts of Spatial, Temporal and Physical Relations in D&D”. I guess this has to be considered a pretty important article, as it sets up the famous “Wheel” cosmology that will come to be a basis of AD&D (both editions) and achieve its full flowering in the Planescape setting. I personally don’t use it these days, but I think you have to admit it was a clever way of setting up a cosmos and finding a place for all the various gods and goddesses.

Tony Watson now offers a more practical article: The Development of Towns in D&D. The advice in the article is quite sound, from what I can tell. I like his advice for inns and their patrons, to whit:

Falgrave’s – where non-humans frequent and and stay when in town. Falgrave is a dwarf himself and up on non-human gossip. 3-18 patrons, 2/3 of which shall be non-human and ½ will be warriors; the rest will be townspeople, nonhumans of other classes. 1-4 will be non-human wayfarers or merchants.

Simple and seems like it would work well. For populating the town, he suggests rolling up dozens of characters and then assigning them, based on their ability scores, to different jobs … or you could just fake it. He divides them into Warriors, Magic-Users, Clerics, Townspeople and Specialists (referring to the “myriad of new characters types that have lately appeared”, which I assume means new classes from The Dragon). He suggests rolling 3d4 for the ability scores of the townspeople or 2d6 for women rolling Str and Con (he apologizes to liberated women reading the article) and children rolling scores. Watson then provides a small chart for determining alignment, age, personality, loyalty, initiative and level. Initiative, in this case, does not mean combat initiative order, but how bright and energetic an NPC is.

Up next is a story by Harry O. Fischer: The Finzer Family – A Tale of Modern Magic.

There have also been wicked magicians, but they only last a short time and are soon taken care of by the public or by other magicians. The evil ones are generally weak and unsuccessful people with little powerful magic. This is fortunate for all of us. Once in a while a powerful and good magician may go mad and do considerable damage before he is controlled or eliminated, but these cases are very rare. So any magicians you are likely to meet or to know, or to perhaps discover, are almost sure to be honorable, peaceful, and wise people — like the Finzers . . .

No offense, but this one went on so long I got bored skipping through it.

Next we have a sneak preview of Introduction to: Gamma World. It begins:

Man, from Australopithecus africanus and homo erectus erectus to homo sapiens recens, has existed on earth for hundreds of thousands, perhaps millions of years. During this time, one skill, one particular talent has set him apart from every other creature — his ability to conceive and create tools. Indeed, man has been defined as “the toolmaking animal.”

Next to an ad for Archive Miniatures (that includes pictures of a Wind Child, Dragon Newts and Dracula & Vampire Women) is an article by Rob Kuntz on gems and jewelry that is essentially a collection of useful tables for determining first the carats of the gem, then the value and then the type based on the value. My only disagreement is that it uses gems like “idicolite” and “tanzanite” that just don’t seem very romantic.

Brian Blume asks, So You Want Realism in D&D? It’s a bit of a jab at people that have written to complain about the lack of … well, you know.

The next page shows off several miniatures, including Rhino Riders from Dragontooth Miniatures. I’ve admitted before that I’m a sucker for fantasy characters riding on inappropriate mounts, so this one is right up my alley. I found a picture online …

Given the size of the rider compared to the rhino, it almost has to be a giant of some sort.

Featured Creature this time presents a kick-ass piece of art by Erol Otus and asks people to name it and give it some stats. Let’s do the same thing here in the comments!

James Ward provides Still More Additions to MA, a list of new monsters that includes Jawed Lilly Pads (awesome), radiation vines, poison thorn grass, tigeroids, bulleroids (no hemorrhoids), rabners, gygarants and sotherlan.

And so ends issue #8! Not bad, but the one story was waaaaaay too long (and is only part 1!!!). What relevant stuff was there was pretty decent.

Dis, Grand City of Hell – Bureaucrats!

I have no idea which preview this is, and yeah, I’m just lazy enough not to look.

Today, we’re looking at Spades.

Originally, I had planned on spades being associated with war, but then I realized that Spades was where I had planned to place Pandaemonium, the Parliament of Hell … thus, Spades is the center of Hell’s government … thus Spades is where the most terrifying thing in the universe has to live … BUREAUCRACY!

Within the blocks and quarters represented by the suit of spades are the most terrifying edifices of Hell, where even arch-devils and demon lords fear to tread … the government offices of Dis. Devils are natural bureaucrats, and the city of Dis lays this truth bare to the world. Each block of spades is crammed full of the government offices of one ministry or another. Petitioners find themselves waiting in lines that last for days only to discover they have the wrong paperwork or should be in the adjacent line.

One cannot enter one of these quarters without showing their papers (which they almost certainly will not have). This requires they be guided to a devil that can process their claim for papers, and thus starts the insanity. In essence, the attempt to process any task in one of these quarters is the same as for finding anything in a block of Dis, and the penalty (wisdom damage) is the same.

RANDOM ENCOUNTERS

D6 RANDOM ENCOUNTER
1. Zombie bureaucrats seeking papers (and brains) (4d6)
2. Amaimon tax collectors (1d8)
3. Azizou demons on inspection (1d6)
4. Iron golems (1d8)
5. Bearded devils on patrol (1d8)
6. Random official and retinue

“My symbol for Hell is something like the bureaucracy of a police state or the offices of a thoroughly nasty business concern.” – C. S. Lewis, The Screwtape Letters (1942)

A. Nybbas: Nybbas is the demon lord of jesters and charlatans, and he heads up the Ministry of Food & Drink, which is in charge of tasting the food of archdevils and demon lords (they use shades for that) and in arranging entertainments and diversions for the masses of Hell. Nybbas’ quarter is always in an eternal state of misrule and mayhem, and the people here play rough, seemingly getting their ideas for pranks from old cartoons (you know, the funny ones made by our grandparents’ generation).

The quarter is a carnival of capering buffoons and clowns and mad pranksters parading through blocks that may once have looked like a sinister Paris, though it is now a ruin of broken glass, splintered wood and vandalized buildings. Besides the japing shades (most of them were wicked bards, illusionists and jesters in life), the quarter is inhabited by nupperibos and lemures, who work in the diabolical bureaucracy under the direction of dretches.

Nybbas’ gate is a 10-ft. tall red door with a golden knocker in the shape of grotesque jester’s face. Touching the handle on this door sends a 6 dice electrical shock into the person who touches it. The shock acts like chain lightning. Behind this door there is a 10-ft. long tunnel that ends in a second door colored green. When one enters this door, a gallon of alkahest, the universal solvent falls from the ceiling (save or struck by disintegrate spell). Beyond the green door there is a white door; when opened, the first person who opens it is struck by a scalding hot pie in the face (6d6 points of fire damage, plus 1d6 points of damage per round thereafter until the filling is scraped off). Beyond the white door there is a chamber guarded by 1d4+4 rubber chicken golems … okay, maybe that’s taking it a bit far. Beyond the white door is the final chamber – a seeming dead-end holding a garishly colored statue of a harlequin pointing at the door through which the adventurers entered. Pulling this finger releases a stinking cloud (as the spell) and, 6 rounds later, causes the entry door to become a gate into the next quarter.

In the center of this madhouse is a grand castle reminiscent of Mad King Ludwig’s Neuschwanstein castle, though Nybbas’ looks like it’s been through a tornado. The castle also serves as the ministry headquarters, where 20 companies of nupperibo and lemure bureaucrats do their best to follow the rather chaotic orders of their master. Five companies of red jesters serve as the supervisors of the ministry and Nybbas’ personal guard.

Nybbas appears as a fat man in a comfortable throne flanked by two fiendish giant hyenas. His court is filled with red jesters and shades forced to laugh eternally at stale old jokes and cruel pranks. Everyone entering the room must pass a saving throw each turn or be struck by hideous laughter. Nybbas has a moon-like face, glistening eyes that burn with an infernal passion and thin lips curved into a grotesque smile. He holds a traditional jester’s marotte tipped with a grimacing skull with living eyes.

NYBBAS: HD 15 (80 hp); AC -6 [25]; Atk 1 slam (2d10) or marotte (1d12 + save vs. hideous laughter); Move 6; Save 3; CL/XP 23/5300; Special: +2 or better weapon to hit, magic resistance 76%, immune to fire and poison, spells (dream, nightmare, hideous laughter, stinking cloud), summon 1d6 red jesters 1/day.

4. Chadper: Chadper is the Minister of Internal Revenues and perhaps the only demon in Hell more feared by other demons than by shades and mortal visitors. He and his tormentor demons, with their hell hounds, collect the tributes owed to Lucifer, in soul coinage and shades, by the other demons of Hell, down to the lowliest lemure.

The entire quarter is composed of black streets of smooth obsidian and buildings of the same material – all of it seemingly carved from a great block of the material and smoothed as though by burning sands. The only shades in Chadper’s domain are those collected for Lucifer and meant to be doled back out to the demon lords and arch-devils to reward their loyal service. They might be found in long chain gangs heading into or out of the city, but most often are kept in deep, stifling pits awaiting an accounting. These pits are guarded by squadrons of erinyes, who perch on the buildings above, slinging the odd dart or rebuke into the pits to keep the shades quiet. Chadper detests noise, and demands almost complete silence throughout his domain. All communication is by whisper or hand signal, and those who break this commandment are immediately set upon by a squadron of silenced tormentor devils and summarily executed.

The gates of Chadper’s domain are composed of the same obsidian as the rest of the domain, and consist of long tunnels with low ceilings (10-ft.) upheld by rows of pillars (20) carved into the shape of grotesque minotaurs. The gates are completely silenced, and rarely passed through save by captive shades, tormentors carrying back tributes, or demons and devils (including lords) coming hat in hand to beg forgiveness from Chadper and pay their taxes. The gates are guarded by obsidian golems, who merely masquerade as the grotesque pillars. Folk who enter the gate areas can be teleported by Chadper into his throne room as he desires, once per day.

Chadper’s great chancery is an obsidian cube, unadorned, with tiny doorways marked in silver tracery on the ground level of each face. Within are 1,000 joined courts where the tribute of Hell is counted, re-counted, certified and then, by the direction of Lucifer, doled back out. Chadper has no lair, per se’, but merely travels from court to court, accompanied by a squadron of tormentor devil guards, directing the dretches who serve him. He commands 8 companies of dretches and 20 companies of tormentor devils, making him among the most powerful devils in Hell. He can also sic a dozen hounds of Chronos on those defy him or refuse to submit to his summons.

Chadper appears as a faintly glowing angel with a twisted, atrophied face and two large, saucer-like ears that permit him to hear, per clairaudience, anything said in Hell. He wears black robes and a black breastplate and carries a +3 glaive that opens bleeding wounds (1d6 hit points per round until healed) in its victims. Those who die from these wounds rise up as vampires under his control.

CHADPER: HD 20 (101 hp); AC -5 [24]; Atk 1 glaive (3d4+3 + bleeding wounds); Move 18 (F24); Save 3; CL/XP 31/7700; Special: +2 or better weapon to hit, magic resistance 35%, immune to fire and poison, spells as 15th level cleric, double damage from sonic attacks and saves at -2 vs. sonic effects, control stirges and vampires, change into death fog (double strength) 1/day, summon 2d4 vampires or 1d4 stirge demons 1/day.

9. Leonard: Leonard, or Master Leonard, is also known as the “Black Goat” and serves as the Inspector General of Hell. His quarter appears to be a place of Renaissance splendor – broad avenues of azure stone flanked by white trees and buildings of peuce and tourmaline with ornamental iron work and gold filigree around the doors. Promenading through the streets are shades dressed in finery, with large, ribboned hats on the women and fine, ebony sticks in the hands of the men. All of these shades are mere illusion, and the buildings, though pretty, are all empty.

Underneath the streets the demons of the Inspector General do their work, in labyrinthine dungeon corridors were every torture known to demon is employed to root out opposition to Lucifer. The practitioners of the torture are 16 companies of azizou, who have a special knack for the work, while another 8 companies of barizou skulk about Dis seeking out disloyalty and inefficiency.

The gates of the quarter are located above ground, and are flanked by an honor guard of 60 manes demons in gleaming, golden armor, with hundreds of pretty, fluttering pennons on long pikes, each one topped by a bleeding, moaning head. The gates are curtains of acid (6d6 points of damage when walked through – save for half – and 1d6 points of damage each round thereafter (for 10 rounds) until neutralized with salt – eats flesh, stone and all metals except silver, gold and platinum). The curtains of acid are drawn aside to allow people to pass when Leonard wants them followed by his geruzou demons.

Leonard’s lair is deep within the dungeons under the streets, in a fortress of solid blue jade (3-ft. thick walls) called the Hall of Injustice. The Hall has many pitfalls and is guarded by a company of mehrim (goat demons). Leonard can be found in a scrying chamber, which allows him, via hundreds of floating crystal spheres, to see through the eyes of all of his servants.

LEONARD: HD 17 (101 hp); AC -1 [20]; Atk 1 touch (save or lose half hit points) or rapier (2d4+2 + 1d6 electricity); Move 18; Save 3; CL/XP 26/6200; Special: +2 or better weapon, magic resistance 85%, immune to electricity, petrification, poison and mind effects, cast spells as 11th level cleric and magic-user, teleport with error 3/day, scry (as with crystal ball) 3/day, summon 1d6 mehrim demons 1/day.

Dis, Grand City of Hell – Asteroth and Natijula

Still plugging away. I’m working on “spades” tonight, which I was going to have revolve around violence, but then got my head out of my butt and realized needed to revolve around bureaucracy. How could I have missed that? Anyhow … enjoy some crazy diamonds.

2. Natijula: This block is as hot as an oven, with brick buildings of bright red, with flint roofs and wrought iron accoutrements that give it the appearance of a Hellish New Orleans. The buildings hold bakeries of hellstoker demons producing ashen loaves and deadly delicacies, café’s that serve scalding coffee and bitter tea and every sort of restaurant and tavern. In the streets there are fire pits on which are roasted stench kows and other hellbeasts. These pits are tended by lemures whose flesh drips into the pits, the fire hissing and sending up gouts of steam that become sinister steam mephits. Zombified shades in silk finery walk the streets selling wine from casks on their backs or giant rats on iron skewers.

The gates of Natijula are tall and composed of ivory-colored stone with steep battlements and blue, conical roofs. The battlements and towers that flank the gates of thick, bluish wood, are defended by a company of anti-paladins sans heads. Behind the gates are hidden a giant ballista, cranked by a stone giant in black platemail and armed with a giant halberd.

Natijula, the self-proclaimed Lady of Agony, is an inhumanly tall woman with an hourglass figure. Her head is bald and she has deep-set green eyes. Her body is covered in golden scales and she wears a classic chainmail bikini and many rings on her fingers and toes. Two massive eagle wings sprout from her back, and she has the ability to take the shape of a roc.

Her “palace” is a great courtyard paved with azure stones and filled with long tables where all manner of demons and devils feast, served by emaciated halfling shades weighed down by iron boots. About 1 hour in 6 is filled with a melee between the demons and devils, always over something trivial, but always fought to the death. Natijula has a deep, abiding hatred for all Mephistopholes (they’ve had dealings in the past), and will do everything in her power to oppose him and his servants.

5. Liro: This quarter is reminiscent of Venice, with many canals of water, Stygian black, cutting through the Renaissance-style buildings of glistening, slick black stone with silver highlights and ornaments; the tarnished domes, the thin bell towers with their black, iron bells that, when struck, cast a deafening silence over the quarter (save or deaf) and their crooked piazzas of spongy stone that spurt blood as one walks over them. Floating above the streets are ghostly shades engaged in a never-ending dance and cavorting in the heady fumes dispatched from great, silver braziers that line the streets and produce no light or heat, only a thick, white smoke that stings the nostrils.

Within the canals there float black lotus that attract ill-tempered sprites, and on great burgundy lilly pads there sit black-fleshed hezrous, fat and self-satisfied, eyes drowsy and glazed, thick purple tongues darting about, capturing screaming sprites and sending them to a terrible death in their bellies.

Leather goods are the business of this quarter, leather drawn from every creature imaginable. Some shops sell the prepared hides, while others fashion them into suits of armor (always of the finest quality), scabbards, boots, saddles, cloaks and other goods. Leprechauns handle most of the fancy craftwork, the other goods being imported from other quarters.

The gates of the quarter are located about 20 feet below the surface of these waters – quite a surprise to those who have entered through a normal gate from elsewhere – and are secured by walls of ice one foot thick. Swarms of giant piranha guard the gates, under the seeming command of the hezrou, who make some effort not to displease the mistress of the quarter.

Liro’s palace is set between three of these canals, giving it a triangular shape. It is the most imposing building in the quarter. It is a gracious affair, though much of that grace is robbed of the place by the tempestuous behavior of Liro. Liro is a short, elegant, petite demoness with dark, ruddy skin that is slightly scaled around the hands, feet, shoulders, neck and eyes. Her eyes are teal in color and appear to be looking directly into the eyes of every person within 30 feet of her (even those behind, who see her as facing the other direction). She wears only a cloak of tiny, triangular gold panels and a diadem of gold and pearl. She is surrounded by a pall of the same stinging white smoke that issues forth from the braziers on the streets, though this acts as the death fog spell. Liro is always accompanied by a guard of chittering rubinous xaocs, visitors to Hell who find it entirely too stifling and staid for their tastes.

J. Astaroth: Astaroth is a prince of Hell, and through the markets of his quarter flow spices, narcotics and other such substances sought after by the manors of the demon lords and arch-devils. Astaroth’s quarter is a maze of zigzagging corridors between ziggurats of iron and marble, atop of which pit fiends on thrones of fire roar defiance to the assembled masses of bearded devils who cluster at their feet.

The streets are lined with walls covered with blue tiles and mosaics of serpent people, demonic lions, pit fiends and great battles between devils and demons, all with the bodies of mortals trampled beneath them. Alcoves are set into these walls wherein sit wrinkled, pot-bellied shades wrapped in tattered, dusty azure robes. Before them are spread shallow wicker baskets filled with all manner of herbs, spices and narcotics. Anything you could want, at tremendously high prices, though they will sell almost anything for a drop of a person’s blood. Mangy camels covered with oozing sores, some with leathery bat wings, are led through the dusty streets, laden with goods from the world above, or with the bodies of shades in need of correction and punishment. The everpresent buzz of fly demons can be heard above, the demons swarming over the streets and sometimes swooping down to pluck up a shade, camel or traveler for a quick meal (i.e. 1 in 6 random encounters is with 1d8 fly demons).

The streets are patrolled by scorpion demon magistrates, on the lookout for double dealing and a cut of the proceeds of the shades’ business. They serve Astaroth as his enforcers in his quarter, keeping the spice lords (there are several) under control. Among them are Tizu the hezrou who controls the opium trade, Mosheveti the marilith who controls the supply of saffron and white pepper and Vucarik, the pit fiend who controls the flow of honey. These lords dwell in the ziggurats with their retinues.

The gates of Astaroth’s quarter are numerous, though most of them are false. Finding a gate in this quarter can always be accomplished in 1d3 hours of travel, but only 1 in 4 found gates is genuine. False gates drop people into deep pits lined with burning coal, where they are roasted alive. All of the gates are guarded by twin sirrush and a company of bearded devils armed with mancatchers and heavy crossbows that fire spiked spheres. When these spheres hit a person, they discharge an electrical shock that deals 1d6 points of damage and paralysis for 1d6 rounds (save to negate).

Astaroth dwells in the largest of the quarter’s ziggurats, one surrounded by a moat of mercury (those passing over must pass a saving throw or lose 1d6 points of wisdom and suffer confusion for 10 minutes). Within the ziggurat there is a grand palace of chambers thick with painted columns and deep pools of icy water inhabited by bound water elementals which Astaroth can shape into the form of beautiful women who dance seductively for the arch-devil and his court of pseudo-intellectuals. Astaroth commands three squadrons of inquisitor demons (xxx), five companies of scorpion demons and ten companies of bearded devils. Astaroth is mounted upon a wolf-headed black dragon so ancient it may predate Hell itself.

Dis, Grand City of Hell – Slums

This one took me a while. I couldn’t map it, couldn’t treat it just like any other city (it was too large to do it justice with a few shops and such) and needed to find a reason for characters to wander around a bit. I think (or hope) I finally cracked it.

Dis is like a collection of cities, which will still be represented on cards, that connect with one another – kinda like they predict the great eastern megalopolis of Boston – New York – Philadephia will be one day. Each of these cities/blocks/quarters is ruled by a separate demon or devil lord, and each is like a prison with heavily guarded gates. The only way to get through a gate besides fighting through it is to gain a brass seal from the lord of the place, and that means doing a favor (rolled randomly). This creates a reason to move about and explore – finding the other demon lord that has to be parlayed with / killed / paid tribute to etc.

Escape from one block to another is one thing. How about escape from Dis. The city of Dis just sprawls – it has no beginning and no end. Nobody can simply walk through it and get to the next circle of Hell. To escape, one must summon Geryon for a lift, and to do that, they need a silver seal from one of the more powerful lords of Hell, represented by the Jacks, Queens and Kings of the deck. Getting in to see them requires seals from at least three of the demon lords under them (i.e. of the same suit). The whole point is to draw players into the politics of Hell and, hopefully, produce a fun experience.

With that said, here’s a sample of some of the quarters in the suit of Clubs, the suit of toil and despair.

ACE OF CLUBS

The buildings in this block are tall and irregular, and covered in a greasy sheen that stinks of rotting flesh. Those who enter the block must save as though facing the noxious stink of troglodytes. The streets are narrow and twisted, and every so often empty into vast, circular courts. These courts are flurries of activity, as manes demons scurry about, tossing writhing mortals and shades into a pit, about 30 feet in diameter, of boiling liquid. Bearded devils armed with iron staves push these poor souls back into the pit when they try to escape. Other bearded devils are in charge of ladling off the greasy slime that these people are rendered into, scooping it into large black barrels carried on the backs of manes demons. These barrels are loaded on carts when they are full and delivered to other blocks for processing.

The gates of Borbazu’s block are composed of a vast weave of skeletons. Above the gates, bearded devils man great pots of boiling oil to pour through murder holes that send a great spray down before the gates (all within 30 feet of a gate must pass a saving throw or suffer 3d6 points of damage from the boiling oil). In towers that flank the gates there are 40 manes demons armed with heavy crossbows ready to send a volley of bolts down on invaders. Each gate is under the command of a barbed devil armed with a chain that ends in a three-pronged meat hook. If an attack with a chain beats an opponent’s AC by 5 or more, it hooks into their flesh and holds them until removed with a successful bend bars check (which inflicts an additional 1d6 points of damage). The skeletons of the gates can deliver 1d6 attacks to any within reach, trying to grab and hold intruders rather than kill them.

Borbazu, a minor lord of Dis, rules this block. He takes the form of a towering serpent of pallid flesh (not scales) that dwells beneath the block. He can emerge from any of the flesh pits scattered through the city. Borbazu can also assume the form of a ruddy-skinned, boyish warrior, handsome, but with vestigial horns and a lenonine mane. This form has aquamarine eyes and wears white robes. In this form, Borbazu can form metal objects of up to man-sized with the merest thought.

FOUR OF CLUBS

This block consists of crooked buildings made of pale, sweaty stone. The buildings hang over the streets, making the air close and stifling, though at odd intervals blazing hot winds whip through these corridors. The walls are spiked, and the doors are all clad in green copper. The streets sometimes empty into pit-like courts with ophidian designs carved into the sides, and winding ramps that lead down into the courts.

The gates of Caila’s block are all at the end of cramped streets, and consist of circular doors. The doors are coated in deadly poison, and touching the doors causes the spikes in the nearby buildings to fire (1d6 poisoned dart attacks, 1d6 points of damage from each). The buildings on either side of the street hold a company each of bearded devils. Behind each door, a purple worm lurks, waiting to lurch out and swallow people whole.

One of the courts is entered via a bronze arch hung with crystal beads that cut one’s flesh like razors and whisper portents of doom into their ears. The court’s walls are set with dozens of little windows covered by shutters painted with images of demons or devils, others with shocking scenes of hopelessness and despair. Behind each of these windows is an oracle who can give one piece of information, provided the questioner passes their palm with an equally valuable piece of information written on a parcel of their own flesh. The oracle reaches their hand through the shutter (as in incorporeally) to retrieve their payment and then reaches back out with a tiny scroll containing the desired information.

Within sight of this alley is the jagged red tower of Caila the Judge. The upper portions of the 10-story tower are circled by a guard of young red dragons. The tower’s interior is as red as the exterior, with ornaments of carnelian, ruby and bloodstone. Movement from one level to the other is via teleporting cabinets, though some of the cabinets in the tower instead fill with poison gas or spears that leap up from the floor.

Caila is a short, leggy demoness with blue-black skin that bristles into barbed scales when she is excited. She has almond-shaped eyes of azure. She surrounds herself with artists, who she can inspire with her gaze, replacing a portion of their soul with her own. Caila can summon 1d6 fiendish giant scorpions three times per day and can assume the form of a giant scorpion once per day.

JACK OF CLUBS


Malphas is both a prince of Hell and a grand president, and he is the patron of architects and masons. As one might imaging, his sprawling block is composed entirely of stone buildings, and everyone a piece of art. Cathedrals, strongholds, towers, all ornamented with flying buttresses, fanciful water spouts, bridges, tunnels, fountains, statuary, veritable skyscrapers; amazing and very difficult to navigate, as it is so crowded and the streets so narrow. Construction is constant here, with bits of masonry sent falling to the ground at random intervals (1 in 6 random encounters forces adventurers to pass a saving throw or suffer 4d6 points of damage).

The gates of Malphas’ quarter are great strongholds, ten stories tall, with perfectly straight and smooth walls. They are patrolled by his gargoyles (three companies are assigned to each gate) and barred by wooden portcullises that instantly rust any metal that touches them. Within each gatehouse tunnel, Malphas’ soldiers can pour green slime on invaders and deliver fusillades of poisoned darts.

Malphas occupies the grandest cathedral in his domain, a veritable demon-made mountain of stone, all of it rare and expensive, with spires that defy gravity. Within this monument he houses the remainder of his infernal army and keeps a population of slaves, artisans (he has bargained for the soul of many great artists and can summon them at will) and priests. He sits at the center of a maze of passages, all trapped and well-guarded, for Malphas is paranoid in the extreme.

Malphas appears as a crow, but can be induced sometimes to take the form of a handsome humanoid with blue-black skin and curved, golden horns. In either form, he carries a mason’s trowel, which attacks as a +2 battleaxe, can cleave through any stone, cast disintegrate and earthquake once per day and can, at will, transmute rock to mud and mud to rock. Malphas is always at war with one demon lord or another, and is always in the market for spies.