Back from Vacation

After a week away from work (the real job), I’m back delving into the wonders of the Las Vegas real estate market. Over the past nine days, I managed to almost finish NOD 29 and got some heavy work done on my World War II supplement to GRIT & VIGOR. I also watched some B-movies, did some yard work, got the hard copy of MYSTERY MEN! Second Edition created and ordered a proof copy (it’s going to be in color), found some cheap old AD&D artifacts at a used record store, watched my daughter in her first Shakespeare play (she played the nurse in Romeo & Juliet) and didn’t shave.

I also didn’t do any blog posts, though I did keep in touch with the gaming community via Google +. For those who didn’t see that, I present two characters for GRIT & VIGOR, one a character from an old movie, the other an actor. For those who did, I’ll throw in a third character – a dangerous lady.

Vince Kane – A Character You Probably Do Not Know

Vince Kane is the main character in an old George Raft picture called A Dangerous Profession (1949). It’s not a great movie, but a movie doesn’t have to be great to inspire usable game material. The beauty of B-movies and simple stories is that they’re usually easier to adapt into modern game scenarios. Much of what makes a movie great – strong characterizations, interesting character relationships, etc. – does not always translate well into a game, or at least should come from the interaction of the players and game master, rather than be programmed and forced on everyone. A good game often revolves around a good plot that is not too hard to follow, since players are usually grasping around in the dark during game play. Vince Kane is also an interesting idea for an detective who isn’t technically a professional detective, much in the way that Matlock and Perry Mason are detectives who are technically lawyers.

Vince Kane is an ex-cop turned bail bondsman. Things heat up when a buddy of his from the police force, Lt. Nick Ferrone (played by Jim Backus) picks up Claude Brackett, who skipped bail a few years back for an embezzlement charge. Checking Brackett’s room, Kane discovers that he’s in town with the woman who broke his heart, who turns out to now be the embezzler’s wife, Lucy Brackett. When Claude Brackett turns up murdered, Kane investigates and discovers a web of lies.

N Private Eye, LVL 8, HP 36, AC 11, MV 40, ATK +5, SV F12 R7 W9

Str 10 Int 12 Wis 15 Dex 14 Con 13 Cha 8

Special: Detect clue (2 in 6), detect lie (4 in 6), get a clue from Venture Master, back stab, note concealed items, +2 save vs. fear

Knacks: Cant*, Influence People

Skills: Cant*, Crack Code, Gather Intelligence, Hide in Shadows, Listen at Doors, Move Silently, Search, Sleight of Hand and Track (humans only)

Feats: Grappler, Iron Will, Lighting Reflexes

* Cant in this context is the tough talk of old Hollywood gangster movies

Hoot Gibson, A Man More Interesting than His Characters

Now we shift from a character to a real person who was, himself, quite a character. It’s not too often you come across an actor’s biography which is more interesting than the characters he played. Hoot Gibson is one of those fellows.

Hoot started riding horses as a boy in Nebraska, and after the family moved to California he started working on ranches. He showed a talent for it, and soon started competing in rodeos, winning several honors. It was during his rodeo days that he started acting in silent movies. After a stint as a sergeant in the Tank Corps in World War I, he went back to rodeo and movies, usually as a bit player and stunt rider. In 1922, when demand was high for cowboy pictures, he moved into starring roles and made a whole slew of pictures. Hoot also learned to fly planes and even got injured in a crash while racing planes.

Like I said, he was an interesting fellow.

N Cowboy/Fighter, LVL 7/3, HP 39, AC 12, MV 40, ATK +4, SV F9 R8 W12, Str 13 Int 9 Wis 11 Dex 16 Con 13 Cha 13

Special: +2 save vs. trample attacks, rope (add half horse’s HD to lasso attacks), select exceptional horses, surprised 1 in 8, no penalty when grappling large animals, extra attack against opponents with fewer HD

Knacks: Don Disguise, Handle Animals, Pilot Aircraft

Skills (Cowboy): Appraise value (livestock), endure, gamble, handle animal, jump, ride mount, survive outdoors, track

Skills (Fighter): Bend bars, break down doors, endure, gunnery, jump, lift gates

Feats: Dodge, Knack, Pugilist

Weapons: Colt Single-Action Army (1d6), Winchester M1894 repeating rifle (2d4)

Ma Barker

I don’t know how much cache’ the gangsters of the Depression have these days with the young people, but they once had a standing approaching folk heroes. Bonnie and Clyde, ‘Baby Face’ Nelson, John Dillinger, etc. And then there’s Ma. Ma Barker. Ma Barker had four criminal sons, Herman, Lloyd, Arthur and Fred, and served as their ring leader … or did she?

From the sound of it, Ma Barker as criminal mastermind of her sons’ foul play is the bunk. One gangster, Alvin Karpis, described her as “superstitious, gullible, simple, cantankerous and, well, generally law abiding.” She was clearly an accomplice in the criminal activities of the gang, helping them before and after crimes, but probably was not the gun-totin’ mama of popular culture. When J. Edgar Hoover described her as “the most vicious, dangerous and resourceful criminal brain of the last decade”, he was probably full of shit. I know – J. Edgar Hoover, an agent of the federal government – lying is hard to believe.

But in GRIT & VIGOR, when truth isn’t stranger than fiction, we slap it around a little until it is. Our Ma Barker is the gangster of the movies, engaging in gun play and maybe even chomping on a cigar while her minions rob banks.

NE Rogue, LVL 8, HP 28, AC 10, MV 40, ATK +5, SV F12 R9 W10, Str 8 Int 15 Wis 13 Dex 11 Con 11 Cha 12

Special: Backstab for +2d6 damage, note concealed items

Knacks: Gather Intelligence*, Treat Injury

Skills : Appraise Value, Cant, Don Disguise, Gather Intelligence*, Hide in Shadows, Influence People, Listen at Doors, Move Silently

Feats: Exploit Weakness, Improvise, Iron Will, Leadership

Weapons: Thompson sub-machine gun (1d6)

Two Cinematic Hex Crawls

Over the last few days, I managed to watch some D&D-ish movies before work – just dumb luck, they just happened to be on.

The first involved a few PC’s and their henchmen taking a dangerous cruise on a quest to break an evil magic-user’s polymorph other spell on a prince, who ended up a baboon. The quest eventually takes them to the arctic and a hidden, pleasant land within the arctic. On the way, they fight monsters, counter spells and eventually break the spell. Alas – no treasure, but they’ll probably be rewarded by the prince.

The second involved five people, four men and a woman, dragged from modern times into ancient Greece. The men are made galley slaves, while an evil king tries to romance the woman. The men eventually lead a slave revolt, wash up on shore, do a little hex crawling, and are made slaves again. Luckily, one of the guys ends up with an 18/00 strength (or maybe higher), and in this capacity serve a different king, and wind up fighting Hercules himself to get back to their own time period.

The first film was Sinbad and the Eye of the Tiger, the second The Three Stooges Meet Hercules. Scoff if you will, but the second flick is probably close to most D&D campaigns than the first. Oh, we all dream of Lord of the Rings-caliber gaming, but bumbling insanity is often what we get.

Both films were lots of fun – I’d actually never managed to watch the Sinbad flick, despite being a fan of Harryhausen – so here are a few bits and pieces inspired by these movies:

Giant Walrus

From HERE

Size/Type: Huge Animal
Hit Dice: 11
Armor Class: 16
Attack: 1 bite (2d6)
Movement:15 (Swim 60)
Saves: F5 R8 W13
Alignment: Neutral (N)Intelligence: Animal
No. Appearing: 1
XP: 550 (CL 11)

Giant walruses are much like their smaller counterparts, though they are more aggressive.

Minoton

From HERE

Size/Type: Large Construct
Hit Dice: 6
Armor Class: 18
Attack: 1 gore (1d10) or by weapon (2d6)
Movement: 30
Saves: F11 R12 W12
Resistance: Fire, electricity
Alignment: Neutral (N)
Intelligence: Non-
No. Appearing: 1
XP: 600 (CL 7)

Minotons are bronze automatons made by magic-users for brute labor and basic fighting. Most are armed with spears. They are tireless and immune to all mind effects, and only obey the commands of their creator.

Troglodyte

From HERE

Size/Type: Large Giant
Hit Dice: 4
Armor Class: 14
Attack: 1 gore (1d6) and 1 slam (1d4) or by weapon (2d6)
Movement: 30
Saves: F10 R14 W15
Alignment: Neutral (N)Intelligence: Low to Average
No. Appearing: 1d4
XP: 200 (CL 4)

Troglodytes are large, primitive ancestors of human beings. They speak the language of simple primates, and though fearsome are not particularly aggressive. Female humanoids get a +2 reaction bonus with male troglodytes.

Eye of the Tiger

From HERE

Level: Magic-User 3
Range: Personal
Duration: 10 minutes

When this spell is cast, a magic-user’s eyes become cat-like (giving them darkvision to a range of 60′). Any feline they look upon within 60′ must pass a Will saving throw or the magic-user turns into a vapor and inhabits the cat’s body. The magic-user retains her own intellect, and gains the fighting ability of the cat. The magic-user can leave the cat’s body at any time, but if they are still inside the cat when it is killed, they die along with it.

Two-Headed Cyclops

From HERE

Size/Type: Huge Giant
Hit Dice: 16
Armor Class: 16
Attack: 2 weapons (3d6) or boulder (100’/3d6)
Movement: 40
Saves: F3 R7 W8; +2 save vs. mind effects
Alignment: Chaotic (CE)Intelligence: Low
No. Appearing: 1
XP: 800 (CL 16)

The two-headed cyclops stands about 50′ tall. It is terribly bright, but it really doesn’t need to be to get along.

Sleeping Pills

These magic items are akin to potions. They are made in lots of 4, and each pill packs the punch of a potion of sleep. Saves against them are saves against magic, not poison.

Spy Smasher is Smashing!

Last night, I revved up the old Roku and watched Spy Smasher Returns on Netflix. Spy Smasher Returns is a film created by putting together pieces of the Spy Smasher serial from the 1940’s, and if you’re interested in running any kind of pulp-era adventure game, you need to watch this film.

It’s not for the story – a basic little thing about Nazi saboteurs and spies operating in the United States and getting their orders from a fellow called The Mask who operates from a submarine off the coast (the coast of what – who knows?).

The acting isn’t bad for a serial, but not Oscar caliber either. No – the two reasons you want to watch this film (or the serial) are the stunts and the settings.

Gaming is often about scenes – setting the stage, introducing the players and then shouting “Action!”, which makes movies and television shows excellent fodder for the imagination. Spy Smasher has some excellent settings to drop the players into – a clay factory with roaring ovens, a rickety-looking lumber yard building, a Nazi submarine, a houseboat, a train, a motor boat, etc. All provide interesting obstacles and opportunities for supporting the action.

The second reason has little to do with gaming – the stunts. Absolutely fabulous stunts (and the same goes for the old Captain America serial, which I’ve mentioned before) that remind you how fun movies were before CGI came into existence. These knuckleheads go all out in the fight scenes – leaping around, flipping each other, bludgeoning one another with balsa wood chairs), Spy Smasher roars around on a motorcycle like a madman, a wooden tower gets blown up and collapses, a motor boat takes on a submarine, etc.

So – my highest rating (892 stars) goes to Spy Smasher Returns / Spy Smasher. Check it out HERE folks.

 

Of Fembots and Bikini Machines

During the 1960’s, beach movies by AIP (American International Pictures) briefly ruled the earth. As unfortunately as they might have been (honestly – I like most of them for exactly the reasons movie critics would tell me I should dislike them), their spawn were even stranger.

Enter Doctor Goldfoot and the Bikini Machine, a spy movie (kinda sorta) from AIP. Having just watched this movie over the weekend, I can report that is surprisingly high budget (for the time period and the quality of the picture), and even more amazing – not nearly as bad as it should have been. The presence of Vincent Price as Dr. Goldfoot probably has a lot to do with my forming this opinion, because I am an unabashed fan of his work. I also found the female lead, Susan Hart, surprisingly engaging as Diane (i.e. Number 11), the star of this particular blog post.

I’ll freely admit that I’m no expert on the subject of sexy fembots (though writing those words, I now am forced to wonder why not). I think Dr. Goldfoot may be the originator of the swinging, sexy, sixties fembots that plagued Austin Powers, International Man of Mystery. I know – Maria/Futura/Hel/Robotrix in Metropolis – but she didn’t swing like a pendulum do, so I’m not counting her.

In this case, they are gold bikini clad and possibly made from actual body parts filled with robot parts. They are produced by a large computer-ish machine, so maybe the bio-ingredients are rendered down into a paste and sprayed onto the robot chasis. They appear to do their best to avoid going “all the way” (as the kids say), so whether they are physically capable of going all the way is certainly in question. Diane, Number 11, is said by Dr. Goldfoot to be the most perfect of them – though that doesn’t stop him from torturing her with electro-shocks and menial floor scrubbing when she fails in her mission.

Dr. Goldfoot’s plan is simple, and would make a great Mystery Men! adventure. He picks a millionaire out of a magazine, programs his fembot to know what she needs to know to get him, equips the fembots with opera glasses that can jab poison needles into the eyes of their rivals, or lipsticks that shoot laser rays to blow their rivals’ head’s off, and sends them off to get hitched. They then use their feminine wiles to get power of attorney and then hand over the millionaire’s wealth to Dr. Goldfoot. Nice scheme … and it almost works. Or maybe it does. They never actually establish the SIC (Security International Command if my memory serves) completely foils the mad scientist.

Diane (Super Villainess), Adventurer
Number 11, Fembot
STR 7 | DEX 5 | CON 5 | INT 2 | WIL 2 | CHA 7
LVL 6 | HP 50 | DC 11 | ATK+6 | SPD 2| XP 7K

Powers: Charm (with kiss), Invulnerability III, Legend Lore (only very specific subjects that she has been programmed in), Phase (1/day), Super Cha +4, Super Str +4

Gear: Trench coat, fedora, walkie-talkie (implanted in head)

If we’re going to show the creation, we might as well show the creator.

Doctor Goldfoot (Super Villain), Scientist
True name unknown, Mad Scientist and Reanimator
STR 2 | DEX 3 | CON 6 | INT 12 | WIL 9 | CHA 3
LVL 11 | HP 50 | DC 10 | ATK+6 | SPD 2| XP 17.4K

Powers: Science Pool (30,000 XP)

Gear: Gold shoes with bells on the toes, handgun, super science devices

 

Monster Matinee – Attack of the Crab Monsters

I’m working my way through the public domain sci-fi/horror movies on Pub-D-Hub, and last night I took in Roger Corman’s Attack of the Crab Monsters (1957).

Spoilers are a comin’, so be warned.

The combination of “Corman” and “Crab Monsters” doesn’t fill a person with much hope. The monsters, I assumed, would either be men in rubber suits or green-screened crabs made to look giant harassing a bunch of strangers, etc. I have to say I was pleasantly surprised. It is a movie in the sub-genre of “group of people menaced by monsters, dying one by one”, but had some pretty clever details – oh, and one of the characters is played by Russell Johnson, better known as the Professor on Giligan’s Island!

Still trying to get a transmitter to work, and not a coconut in sight

The “crab monsters” in the title weren’t what I expected. They were giant crabs altered by atomic tests on an island. As it was described in the movie, they weren’t just enlarged crabs. Their atoms had been detached from one another in such a manner that they were in a semi-liquid state – liquid given a permanent shape. Their weird atomic structure has given them additional abilities. When the crabs consume people, their atoms simply join the crab’s atoms, making them a sentient part of the crab. Several people’s minds and memories can exist within the crab simultaneously, and though they retain their memories, their personalities change. They now seek the continued survival of the crab, even if that means killing former friends. The crab’s are also capable of transmitting telepathic messages via bits of metal, these messages being in the voice of the people that have absorbed. The crabs can regenerate body parts and generate significant amounts of heat, but electricity turns them quickly to dust.

The giant crabs, there are two in the film initially, are intent on destroying their island to keep people from discovering their existence. One of them is “with child”, and once the crabs have increased their numbers under the waves, they plan on expanding their dominion. They are destroying the island using dynamite they have captured from the various groups of soldiers and scientists that have come to investigate an aircraft that crashed near the island.

Naturally, a monster this creative needs some game stats!

Crab Monster (Blood & Treasure)
Large Magical Beast, Neutral, Average Intelligence; Cast (1d6)

HD 6; AC 14; Atk 2 claws (2d6 + grapple); Speed 30 (Swim 20); Save F6, R7, W10; XP 600; Special: Immune to fire, generate heat, resistance to physical weapons, vulnerable to electricity, consume memories, telepathy 300-ft. (transmits through metal).

Crab monsters can generate heat in a radius of 30 feet. This can be done three times per day and 10 minutes at a time, and all in the radius suffer 1d4 points of damage per round. Metal in the area of effect is affected as per the heat metal spell.

Crab Monster (Mystery Men!)

Level 6; Physique 5; Mentality 5; DC 16; SPD 2; XP 2800; ATK 2 claws (2d6); POW consume memories*, correspond, energy burst (fire), energy immunity (fire, lasers), energy vulnerability (electricity), half damage from physical attacks

When a crab monster consumes a person, they add their mind to their own. These minds remain independent, but are now part of the crab and work for the crab’s survival and interests, even turning on former allies. The crab can correspond telepathically using the voices of the people it has consumed. Increase the crab’s Mentality score to that of the highest Intelligence it has consumed. Any psychic powers possessed by a person consumed by the crab monster are now possessed by the crab monster.

Crab Monster (Space Princess)

HD 6 | DEF 19 | FIGHT 12 (2d6) | SHOOT 11 | MOVE N | STR 6 | DEX 5 | MEN 4 | KNO 4 | DL 9

Crab monsters are immune to fire and heat, and suffer only half damage from lasers and ray guns and from physical attacks. Electricity attacks inflict double damage on them. Crab monsters absorb the KNO and MEN of people they consume, increasing their values to the highest value they have consumed. They also absorb the psychic powers and knowledge-based skills of people they consume, though they might not be able to use these skills due to physical limitations. Crab monsters communicate telepathically using the voices of the people they have absorbed. This telepathy can only be heard through metal.

Ruminations on Doctor Who and the Failings of the Imperial Office Corps

Over Christmas, the fam and I bought a router so I could be productive on my new laptop. As an added bonus, we discovered how ridiculously easy it was to hook the Wii up to the internet. I now have access to Netflix via the Wii on the TV, which brings me to Doctor Who.

A while back, I briefly got into watching the new Doctor Who series on BBC America, and I almost enjoyed them. They were okay, I guess, but didn’t totally click with me. This tends to be the case with me and new sci-fi – it’s not a matter of dislike (well, sometimes it is), but more often a case of “meh”. Strangely enough, I like sci-fi but I’m not that big on special effects, and I’m really bored with computer generate effects. Anyways … with the Netflix hook-up, I’ve started watching old Doctor Who episodes, specifically the ones starring Tom Baker. I’ve never seen them before, but I instantly fell in love with them – right up my alley. I just finished watching “City of Death” and that brings me to the Imperial Office Corps.

The villain in “City of Death” is Julian Glover, who played General Veers in Empire Strikes Back. As with most people my age who are into sci-fi and fantasy (and science-fantasy), I’ve probably spent a tad more time thinking about Star Wars than is healthy, and in those ruminations it occurred to me that Veers was really the only Imperial in all the movies who ever succeeded at, well, anything. Grand Moff Tarkin and all his little moffs failed to destroy the rebellion with their technological terror, the various admirals were like the Keystone Cops (clumsy and stupid) and even Vader was a big failure – never caught Luke, never turned Luke, eventually got his ass kicked by Luke. The Emperor also failed in his attempts to turn and kill Luke, undone by his earlier (and maybe only, for all we know) success of turning Vader and establishing the Empire. Veers alone, in true British bad-ass style, didn’t screw up – he took out the force field on Hoth and his forces over-ran the secret base.

Now, most students of military history will not be surprised about this. Totalitarian states tend to have crappy officer corps because the ruling elite fear putting competent people in charge of their military – that’s a recipe for a coup. Incompetence among the overlord’s minions isn’t just a Hollywood invention.

So here’s to Veers, the finest officer in the clown college of evil incompetence that was the Galactic Empire!

HUZZAH!

 

And Boba Fett doesn’t count, he was an independent contractor.

Where is Your Gamma World?

Gamma World, and post-apocalyptic settings in general, are a frequent topic in the RPG blogosphere. Heck I follow more than a few sites dedicated to nothing else. Most are set in a Mad Maxian future, but when my friend Josh and I played Gamma World back in the day, we had something slightly different in mind, thanks to this …

Rock and Rule! I still have a soft spot in my heart for this little gem. Come on, admit it – Angel is the hottest mutant to ever grace the silver screen. So, where is your Gamma World?