Take a Hard Ride

As I am currently in the middle of writing a GRIT & VIGOR supplement for adventures in the “Old West”, I’ve been reviewing some favorite westerns. Today, the subject of Take a Hard Ride came up, and it occurred to me that working up some character stats for the film’s three heroes and main villain would make for a good post.

Take a Hard Ride was released in 1975, and starred Jim Brown, Fred Williamson, Jim Kelly and Lee Van Cleef. A “spaghetti western”, it was filmed on location in the Canary Islands, and had as its three heroes some names made well known in the “blaxploitation” films of the 70’s. The movie does not come off as a gimick to me, though – Jim Brown plays Pike, a classic western hero, Fred Williamson is awesome as a Maverick-esque anti-hero Tyree, and Jim Kelly brings something akin to Kung-Fu into the picture as Kashtok, a man raised by Native Americans.

The story involves Pike transporting $86,000 to his boss’ ranch – he made a promise on his boss’ deathbed to do it, and he aims to get it done. Hunting down Pike, his allies and the money is Lee Van Cleef as Keifer, a bounty hunter and Kane, a corrupt sheriff, played by Barry Sullivan.

It’s well worth a watch … and if you want to put those characters into action in a game of G&V, here’s my take on their stats:

(For those wondering how I determined levels – I just used the actor’s ages at the time the movie was made, minus 16 years as a guide)

Pike (Jim Brown)
Lawful Good Cowboy, 8th level

S 16 I 12 W 11 D 15 Cn 13 Ch 11
HP 40
AC 11
ATK +5
F8 R8 W11

Knacks: Handle Animal, Ride Mount

Skills: Appraise Value (Livestock), Endure, Gamble, Handle Animal*, Jump, Ride Mount*, Survive Outdoors, Track

Feats: Bum Rush, Exploit Weakness, Mounted Combat, Power Attack, Pugilist

Weapon Proficiency: Club, knife (large), knife (small), lasso, revolver, rifle, shotgun

Special: +2 save vs. fear and anxiety, temporarily increase two physical ability scores, delay damage (8 rd), rope and ride, choose exceptional horse, surprised (1 on 1d8, or normal while sleeping), no penalty grappling creatures one size larger than cowboy

Tyree (Fred Williamson)
Neutral Gunfighter, 7th level

S 13 I 10 W 11 D 16 Cn 12 Ch 13
HP 35
AC 11
ATK +6
F10 R10 W13

Knacks: Bend Bars, Gamble, Move Silently

Skills: Bend Bars, Break Down Doors, Endure, Gamble*, Lift Gates, Sleight of Hand

Feats: Ace Shot, Point Blank Shot, Precise Shot

Weapon Proficiency: Brass knuckles, club, dagger, knife (large), knife (small), lasso, revolver, rifle, shotgun

Special: Extra attack, specialist firearm (revolver), +4 AC fighting defensively, +2 initiative with firearm

Kashtok (Jim Kelly)
Chaotic Good Boxer, 6th level

S 15 I 12 W 13 D 16 Cn 14 Ch 9
HP 42
ATK +5
AC 16
F9 R8 W12

Knacks: Survive Outdoors, Track

Skills: Acrobatics, Bend Bars, Break Down Doors, Endure, Hide in Shadows, Jump, Lift Gates, Listen at Doors, Move Silently

Feats: Dodge, Elusive Target, Far Shot, Lightning Reflexes

Weapon Proficiency: Bo staff, club, compound bow, jo staff, knife (large), knife (small), lasso, spear, tomahawk

Special: Extra attack, unarmed damage 1d6+2, 70’ movement, stunning attack (5/fight), deflect arrows

Kiefer (Lee Van Cleef)
Neutral Evil Ranger, 9th level

S 11 I 12 W 13 D 16 Cn 14 Ch 10
HP 54
ATK +8
AC 12
F7 R11 W12

Knacks: Track

Skills: Bend Bars, Break Down Doors, Hide in Shadows, Lift Gates, Move Silently, Ride Mount, Survive Outdoors, Track*

Feats: Blind Fight, Brawler, Great Fortitude, Improvise, Intuition, Mounted Combat, Pugilist, Rough & Tumble

Weapon Proficiency: Club, dagger, knife (large), knife (small), lasso, revolver, rifle, shotgun +1

Special: Avoid surprise, specialist terrain (desert Southwest)

 

Into the Unknown

Happy Fourth of July folks! Remember, it’s not enough to value your own liberty, you have to love other peoples’ liberty just as much as your own.

And also remember – two or three hotdogs is probably sufficient unless you want to put on a fireworks display in your gut to rival the one outside tonight.

Now then … I’m busy working, as I’ve mentioned before, on an Old West supplement for Grit & Vigor. I love working on things like this because they give me a chance to learn about things about which I only have a passing knowledge. A couple days ago, I started working on something like random encounter tables for PCs wandering around in the wilderness. I wanted to keep them relatively simple – just suggestions a VM could use to spice up an overland journey. I started out with some general categories of “encounter”, and then realized that I had no idea how frequent these things should be. What to do?

Then it occurred to me … Lewis and Clark kept a diary!

So now I’ve spent a few hours going through the diary and making notes on what they encountered each day, both while traveling in the summer and fall, and camping in the winter. Pretty interesting stuff – I highly suggest giving it a look – and here are the results, according to my encounter definitions (with the definitions following):

Encounter Travel Camp
No Encounter 01-46 01-31
Danger 47-57 32
Ruins 58-67
Herd 68-76 33-34
Predator 77-84
Warriors 85-91 35-40
Settlement 92-96
Travelers 97-99 41-00
Omen 00

Danger: This is a danger of some kind that strikes a person unawares, such as a snake bite, illness, a fall that results in injury, pests, etc.

Herd: This is an encounter with numerous large her-bivores, such as bighorn sheep, elk or bison.

Omen: This is an event that has spiritual significance to one or several of the adventurers.

Predator: This is an encounter with a large predator capable of killing an adventurer, especially if it achieves surprise. In the American West, this is probably a bear, cougar or pack of wolves.

Ruins: The remains of a settlement, such as mounds left by the Mississippian Culture, or an abandoned settlement (see below).

Settlement: A settlement appropriate to the region and time period. This includes trading posts and forts.

Travelers: An encounter with a small or large group of travelers. These people may or may not be capable of defending themselves, but their purpose is not one of violence and the group probably includes women and children. This could be a wagon train, a migration of American Indians or a prospector and his mule. There is a 1% chance that they are accompanied by a famous person appropriate to the time and place.

Warriors: An encounter with a relatively small band of armed men. It could be a hunting or war party of American Indians, a troop of U.S. Cavalry, a gang of outlaws or European fur trappers. There is a 1% chance that they are accompanied by a famous person appropriate to the time and place.

That’s enough for today – I have to prep the dog for the horrors of fireworks tonight. Be good to one another folks – love each other – it’s the only way forward!

Daddy-o Appreciation Day

Hey all you cats and kittens – just a quick note today in between Father’s Day festivities (my dad and fam was over yesterday, wife’s dad and fam today) to wish all the dads and their loved ones out there a happy day.

Hey all you cats and kittens – just a quick note today in between Father’s Day festivities (my dad and fam was over yesterday, wife’s dad and fam today) to wish all the dads and their loved ones out there a happy day.

In case you have some time today for fine cinema, enjoy this little gem from MST3K (ah, the old Comedy Central days – MST3K, Kids in the Hall) … Daddy-O:

Fun side note – a guy I worked with at the Video Park was friends with Dick Contino’s son. It’s a small world afterall!

For GRIT & VIGOR fans out there, here are some game stats for good old Daddy-O (or just about any other similar character from an old misunderstood-teenager b-movie)

Daddy-O

Grease-Monkey

AL NG, LVL 3, HP 14, AC 12, ATK +1, SV F12 R10 W12

Str 12 Int 11 Wis 13 Dex 16 Con 12 Cha 14

Special: Fearless (+2 save vs. fear), temporarily increase physical ability score (+1 for 3 rd), use wrenches as maces in combat, maximum performance from motor vehicles, +10% to motor vehicle’s top speed, apply combat feats to vehicles, +1 to attack and +1 damage to constructs

Knacks: Communicate, Mechanics, Perform

Skills: Appraise Value (Cars), Drive Car, Endure, Mechanics, Ride Bike, Search

Feats: Fancy Driving, Leadership, Stuntman

Weapons: None

Bar Fights Updated

Bar fight from The Spoilers (1942) – click for source

A few weeks ago I began writing a supplment I had long planned for my GRIT & VIGOR rules concerning the “Old West”. I’d been working on the High Frontier supplement, which covers the retro-future imagined for the late 20th century (now in editing – hopefully ready soon) and was cleaning up the G&V file folders. That led me to opening a few files to see what was in them, which led to doing some organization in an “Old West” word document, which led to .. well, let’s say I’m about 50% finished with writing the supplement now, when I should have been completing other projects (i.e. NOD 36 and Gods & Legends).

One element I needed for the Old West supplement was rules for saloon fights, which I’d written up for generic Old School fantasy games a few years back (2012, to be precise). I hadn’t looked up the old post yet when I got an email mentioning that I’d left something off a table in that article, and would I please update it. Strange coincidence!

So, here are the rules as modified (just slightly) for the Old West supplement. The updated table (the first one) is suitable for the old post and use in fantasy games (or sci-fi games if you want to host a slugfest in the Mos Eisley Cantina).

Saloon Fights

A staple of western movies and television shows, especially those of a less serious nature, is the saloon fight. Sometimes it starts with an insult, or sometimes with an accidental bump, but in no time at all an epic free-for-all slugfest erupts.

Running something like this in a game is difficult because there are so many moving parts. These rules are designed to make it easier.

The first thing to determine is the size of the brawl. If you do not know how many brawlers are present, you can roll dice and consult the table below:

D6 Fight Size Combatants Hit Points
1 Kerfuffle 6 to 10 3d6
2-3 Dust-up 11 to 20 6d6
4-5 Donnybrook 21 to 30 9d6
6 Slugfest 31+ 12d6

Hit Points in the table above refers to the total hit points of the crowd of combatants. When the crowd’s hit points are reduced to zero, the saloon fight is over because all the non-PC combatants have either fled, are unconscious or are otherwise unable to fight.

While the fight is still happening, characters can choose one of the following actions each round:

Fight: Character jumps into the fight with feet and fists flying – he’ll take all comers

Flee: Character tries to scramble out of the fight

Hide: Character hides under a table or behind the bar

Loot: Character wades through the fight picking pockets or stealing drinks

Seek: Character wades through the fight looking for a specific target; the target could be a person or an item

The VM rolls 1d10 and checks the matrix below, cross-referencing the roll with each character’s stated action. Any time a character suffers damage, they must pass a Fortitude saving throw with a penalty equal to the damage suffered to avoid being either stunned for 1d3 rounds or knocked unconscious for 1d10 minutes. There is a 50% chance of either. A stunned character is considered to have chosen “Hide” as his action each round he is stunned.

D10 1 2 3 4 5 6 7 8 9 10
Fight N F F B A A A A A A
Flee N N N F F F M M M M
Hide N N N N N N F F B A
Loot N N N F F B A L L L
Seek N N F F B A A A R R

The letter codes are as follows:

A is for “Attacked”: The character is attacked by other combatants, and can attack them back. Roll 1d6:

1 AC 10, ATK +0, DMG 1d2
2 AC 11, ATK +1, DMG 1d2+1
3 AC 12, ATK +2, DMG 1d2+1
4 AC 13, ATK +3, DMG 1d2+2
5 AC 14, ATK +4, DMG 1d2+2
6 Attacked by two combatants, roll 1d4 to determine each attacker’s stats. If both attackers attack successfully, the PC must make a Reflex saving throw or be lifted and thrown. Roll 1d6 for the effect:

Lifted and Thrown Sub-Table

1-2 Slid down the bar for additional 1d6 points of damage and knocked prone
3-4 Thrown out door and into street for 1d6 points of damage and knocked prone
5 Thrown out window and into street for 2d4 points of damage and knocked prone
6 Thrown off balcony or stairs onto a table, suffering 2d6 points of damage and knocked prone; if this doesn’t make sense, re-roll

B is for “Bystander”: The character catches sight of an innocent (or not) bystander

1-2 Child hiding from the fight; good characters must attempt to save them by fleeing
3-4 Saloon girl motions you to a door; you must “Seek” to get there, and once inside consult the Saloon Girl sub-table below
5-6 A damsel faints, roll under Dexterity to catch her for 100 XP; you now fight with a -2 penalty to hit

Saloon Girl Sub-Table

1-2 Quit the fight and do some wooing and cooing (50% chance of being slipped a Mickey or simply being pick pocketed, 10% chance you are hunted down by a jealous lover afterwards) – either way, you earn XP per a 3 HD monster you dog!
3-4 Suckered into an ambush, roll as per “A” above, but roll 1d3+3, and you don’t get to hit back
5-6 Punched by the girl/guy (AC 10, attack at +1, 1d2 points of damage) – this is a surprise attack, so you don’t get to hit back

F is or “Flying Debris”: The character is struck by flying debris; boxers can attempt a Reflex saving throw to avoid it, but all others roll 1d6:

1-3 Hit by bottle for 1d3 points of damage; Fortitude save or knocked unconscious
4-5 Hit by chair for 1d6 points of damage; Fortitude save or knocked unconscious
6 Hit by a flying body for 2d4 points of damage; Fortitude save or knocked unconscious; if a compatriot was thrown this round, you were hit by them

L is for “Looting”: The character acquires some loot – roll 1d6:

1 Acquire a single mug of beer or a shot of whiskey
2-3 Pick pocket check to acquire 50¢ or its equivalent
4 Pick pocket check to acquire $1 or its equivalent
5 Pick pocket check to acquire $10 or its equivalent
6 Pick pocket check to acquire a treasure map or some other plot device; only use this once!

On a failed pick pockets roll, you are instead attacked – see “A” above.

M is for “Move”: The character moves 1d10 feet to-wards his chosen exit.

N is for “Nothing”: Nothing happens to you this round, nor do you get to do anything

R is for “Reach Target”: Character reaches the target they were looking for!

Break It Up!

Each round of the saloon fight there is a 5% chance that the town sheriff and his deputies (or deputized citizens) shows up to break things up. The number of deputies depends on the size of the town – use your best judgment – but they are armed with pistols and are willing to use them to restore order.

Combatants, including the player characters, are arrested unless they find a way to sneak out. If the sheriff is on his way, there is a 50% chance that some old coot yells “Sheriff’s coming!” the round before to give the combatants a chance to flee.

Bringing a Gun to a Fist Fight

Pulling a knife or gun during a fist fight is a cowardly and low-down act, and results in you being avoided by other combatants for the duration and suffering a -4 penalty to reactions in this town in the future.

Death and Dismemberment

Saloon fights should not result in PC death, because death just is not the point of these things. At 0 hit points, a character is knocked out and awakens in jail.

 

How to Referee a Murder

One of my favorite genres of movie is the mystery. I’m not talking about film noirs and gangster pictures – though I love them as well – but the films in which a wealthy man or woman is found dead in her mansion, and a detective has to weed through a bunch of suspects to find the real killer, all the while more victims are piling up.

This sort of plot can be a fun diversion for a game of Grit & Vigor, provided you have players interested in such things. A small group of players, from one to three, works very well with such a mystery. Usually, one player is the head detective and the others are his or her assistants. To get you started, here’s a handy list of potential suspects. Roll as many times on the table as you see fit, but the more suspects there are, the longer the mystery should take.

1 The man-child – always large, strong and dangerous
2 The devious woman – manipulative to the extreme, and after money
3 The wayward son – wealthy young man, usually with a drinking problem
4 The genius – a house guest, usually a scientist, psychologist or doctor … with a secret
5 The housekeeper – an older woman, cold in demeanor
6 The playgirl – female version of the wayward son, she loves “unwisely”
7 The maid – a young woman of common parentage, either stalwart or superstitious (or maybe a mix of both)
8 The caretaker – an older man who looks after the grounds, suspicious of everyone
9 The chauffeur – usually seems worried that he is suspected
10 The ingénue – young, pretty and destined to inherit a fortune
11 The butler – did he actually do it?
12 The ardent – a foolish young man in love with one (or more) woman in the cast of suspects

Each suspect should have two of three of the following – motive, means and opportunity. One suspect, the murderer, has all three. Each suspect should also have a piece of information useful for solving the crime. It is the job of the detectives to clear the suspects and gather the clues, all the while running against the clock as suspects (and their information) are eliminated by the murderer. The murderer will try to eliminate the most useful pieces of information first.

The action should all take place in a mansion, with nobody permitted to leave. In a pinch, use a Clue board for the first floor, with note cards to represent the cellar, the attic and the upstairs bedrooms and any other rooms you want to include. A few useful clues should be spread around the rooms, so detectives have a reason to search them. The least useful clues should be the easiest to find.

And don’t forget secret passages!

Eurafrika Attacks!

Around about 1929, a German architect by the name of Herman Sörgel came with an idea he called Atlantropa. The idea was simple (no, not really) – he was going to create a new utopian continent out of Europe and Africa by building hydroelectric dams in the Strait of Gibraltar and Dardanelles and the mouth of the River Congo. This would allow the lowering of the level of the Mediterranean Sea, to create more habitable (and farmable) land, the irrigation of the Sahara Desert, and the generation of all the electricity the new continent of Atlantropa or Eurafrika could ever need. The idea was based on his desire for a massive, peaceful project that could bring the warring European nations together and which would improve the lives of millions.

Strangely enough, the idea was not pursued seriously other than by Sörgel and a handful of others. Perhaps the idea can be used to fuel a modern “fantasy” campaign, though.

Eurafrika Attacks

The Eurafrika Attacks campaign is going to take Herman’s idea and mess with it a bit. First, we’re going to move the idea back to the dark days of the First World War, and give Europe a running start at the project. For our purposes, by 1927 or so the project is complete and Europe is seriously deep in debt. Weimer Republic-style deep in debt. This facilitates the rise of a pseudo-fascist dictator called Hynkel, who now has the power of Europe and Africa at his disposal and uses it to start the Second World War in 1930.

Eurafrikan forces quickly move into the Middle East and Ukraine, and soon they convince a China desirous of revenge against colonial powers to join them. Thus, we get a WW2 with an axis composed of Eurafrika and China against the allied powers of the United Kingdom (who never quite joined the Eurafrikan cause, though a faction of the country is heavily invested in the project and desires Hynkel’s success), the Soviet Union and Japan, with the United States practicing semi-neutrality until submarine attacks on its shipping draw it into the war in 1934.

The Hook

So what’s the point of this campaign, other than novelty. Well, novelty is probably the main point – a sort of mixed up WW2 that occurs years before it is supposed to and without some of the more disturbing elements of that war.

The real hook, of course, is the use of a bunch of interesting military equipment from the “interwar” period in a hot war. Between the Spad and Spitfires in the 1920s and early 1930s there were all sorts of interesting aircraft, ships and land vehicles designed and constructed, but never really used. Now some of these vehicles have a chance to show what they were made of, and at the same time a few anachronisms might make their way into this WW2, especially cavalry.

A campaign could be organized around a particular military unit and its march into Eurafrikan territory, modeled on the film The Big Red One (1980) starring Lee Marvin and Mark Hamill, which followed a group of soldiers in the U.S. 1st Infantry Division from North Africa to Sicily to Normandy and eventually to the liberation of a concentration camp. A fictional campaign might move through Baghdad to the Balkans and Carpathians and finally into the heart of Europe.

There is also room for espionage in London, Paris, New York and Cairo, jungle fighting in the Congo basin, the Soviet couteroffensive against re-invigorated China in Mongolia, resistance movements in Europe, anti-colonial movements in Africa, or the defense of Japan against a new wave of seaborne invasions from China (will the “divine wind” protect the island nation again?). You can also play on the new geography of the Mediterranean and Sahara, tying in with notions of Atlantis buried beneath the sands of the Sahara being rediscovered, or pre-human settlements that were hidden under the Mediterranean being revealed.

The campaign offers many opportunities for realistic and supernatural gameplay in a period often forgotten due to its being sandwiched betwen the Roaring 20’s and the Second World War.

A trio of Siskins patrol southern England for French bombers

Yo Joe!

If memory serves, I promised to do this post two weeks ago. How time flies! In between, the family has gone through a high school graduation and a college orientation, and I’ve written about 8 quarterly reports for my real job. But now it is time – some G.I. Joe vehicles for GRIT & VIGOR.

I’ve spent the last four weeks writing High Frontier, a setting toolbox for GRIT & VIGOR based on the “retro-future”, or the future that people in 1950 dreamed they and their children would enjoy from the 1960s to the futuristic year … 2000! We’re talking moon bases, space stations, space colonies, lots of cool airplanes and concept cars, etc.

Along the way, I ran across a Wikipedia article on a G.I. Joe fighter plane, and realized I could probably stat those up as well. Where possible, I used the specifications published for these vehicles, and I filled in the gaps with info on the real vehicles on which they were based.

Notes:

Jet aircraft are given a generation [G]. This is added to the aircraft’s maneuverability (and thus AC) and attack rolls during combat.

Damage followed by a single asterisk (*) is multiplied by 10. Two asterisks (**) means multiply by 100.

Conquest X-30 | G.I. Joe 1986

Type: Huge Fighter G4
Hit Dice: 30 (105 hp)
Armor Class: 21
Attacks: 2 x 25mm cannons (7d6), 4 x AIM-12 Light Sparrow AAM (1d10**), 7,000 lb of bombs
Speed: 1600 mph
Maneuver: +8
Climb: 8500 fpr
Ceiling: 55,000 feet
Crew/Passengers: 1/0

These G.I. Joe fighter planes are based on the real Grumman X-29 (which appears in High Frontier). It is notable for its forward swept wings.

Phantom X-19 | G.I. Joe 1988

Type: Gargantuan Attack G5
Hit Dice: 45 (158 hp)
Armor Class: 18
Attacks: 2 x anti-satellite lasers (10d6), 2 x BY-106 Little Guy (1d10**), 1 x Bullseye III cruise missile (xxx), 2 x 2000 lb bombs
Speed: 2400 mph
Maneuver: +6
Climb: 6000 fpr
Ceiling: 72,000 feet
Crew/Passengers: 1/0

The Phantom is inspired (loosely) on a model that purported to be the “stealth bomber” (the F-117 Nighthawk) that turned out to look nothing like it.

Night Raven S3P | Cobra Command 1985

Type: Gargantuan Fighter G4
Hit Dice: 47 (165 hp)
Armor Class: 19
Attacks: 2 x 20mm cannons (6d6), 4 x SRAAM AAM (1d10**)
Speed: 2200 mph
Maneuver: +8
Climb: 6800 fpr
Ceiling: 86,000 feet
Crew/Passengers: 2/0

The Cobra Night Raven was based loosely on the SR-71 Blackbird (which means Cobra was as good at hacking the Pentagon as the Chinese, Russians, etc.)

Rattler | Cobra Command 1984

Type: Huge Attack G3
Hit Dice: 30 (105 hp)
Armor Class: 18
Attacks: 2 x 20mm cannon (6d6), 1 x 30mm cannons (8d6), 2 x AAM (1d8**), 2 x Renegade ASM (6d6*)
Speed: 450 mph
Maneuver: +5
Climb: 1000 fpr
Ceiling: 45,000 feet
Crew/Passengers: 2/0

The go-to combat aircraft of Cobra in the cartoons.

Skystriker XP-14F | G.I. Joe 1983

Type: Gargantuan Fighter G4
Hit Dice: 42 (147 hp)
Armor Class: 23
Attacks: 1 x 20mm cannons (6d6), 2 x AIM-9 Sidewinder AAM (1d8**), 2 x AIM-54 Phoenix (6d6**), 2 x AIM-7 Sparrow (1d12**)
Speed: 1500 mph
Maneuver: +8
Climb: 7500 fpr
Ceiling: 51,000 feet
Crew/Passengers: 2/0

The Skystriker was G.I. Joe’s principal combat aircraft (and clearly superior to the Rattlers).

Mannix!

Mike Connors recently passed away. He’s best known for playing Joe Mannix, private investigator, on the TV show Mannix, which ran from 1967-1975. Great show, and one of my all-time favorites. It was also an odd duck for its time because it forewent the idea of a detective with a gimmick (fat, wheelchair-bound, old, etc.) and just created a detective in the hard-boiled tradition.  James Rockford was probably Mannix’s spiritual successor on television.

Mannix is an interesting character with an interesting history, and that interesting history makes him a perfect character for a game of GRIT & VIGOR.

R.I.P. Mike Connors, and thanks for the fine entertainment.

Joe Mannix
High school football and basketball star, Korean War veteran, former P.O.W., mercenary in Latin America and current private investigator

5th level fighter, 7th level private eye

Strength: 13 / +1
Dexterity: 14 / +1
Constitution: 16 / +2
Intelligence: 11
Wisdom: 13 / +1
Charisma: 11

Hit Points: 3d6 + 4d10 +14
Armor Class: 11
Attack: +4
Saves: F11 R10 W12

Feats: Pugilist, Power Attack

Knacks: Athletics, Communicate, Drive Car, Endure, Pilot Aircraft

Fighter Skills: Bend Bars, Break Down Doors, Endure*, Jump, Lift Gates, Ride Mount

Private Eye Skills: Cant, Crack Code, Gather Intelligence, Hide in Shadows, Listen at Doors, Move Silently, Search, Sleight of Hand, Track (humans only)

Class Abilities: Note clues and concealed items, mull things over, backstab +2d6, extra attack vs. opponents with 3 or fewer Hit Dice

Equipment: Colt Detective Special (1d6), 1975 Chevrolet Camaro (in the show’s final season, but Mannix drove an astounding array of cool cars over the course of the series – check Wikipedia’s entry for a list)

Lest We Forget

Today is Veterans’ Day (formerly Armistice Day) in the U.S. of A. First and foremost, I offer my thanks to those who have served – God bless you.

Since this is a game blog, I now offer Grit & Vigor stats for a couple genuine war heroes, Sgt. Alvin York and Audie Murphy.

Sgt. Alvin York

Class: Fighter
Level: 4
Hit Points: 26

Strength: 14 / +1
Intelligence: 9
Wisdom: 12
Dexterity: 13 / +1
Constitution: 16 / +2
Charisma: 11

Feats: Dodge, Elusive Target, Point Blank Shot

Knacks: Climb Sheer Surfaces

Alvin York was an odd choice for military heroism. When he reported for military duty during the First World War, he let his superiors know that, as a Christian, he didn’t believe that he could take part in fighting.

After many discussions with the camp chaplain, and a lot of soul searching, he finally decided that a Christian could fight if called to do so. With that, he was off to Europe, where he soon earned a Medal of Honor for, according to Wikipedia, “leading an attack on a German machine gun nest, taking 35 machine guns, killing at least 28 German soldiers, and capturing 132 others”.

Audie Murphy

Class: Fighter
Level: 5
Hit Points: 35

Strength: 13 / +1
Intelligence: 10
Wisdom: 11
Dexterity: 16 / +2
Constitution: 13 / +1
Charisma: 12

Feats: Ace Shot, Diehard, Point Blank Shot, Precise Shot

Knacks: Electronics, Handle Animals

Skills: Demolitions

What Audie Murphy did in real life would seem unbelievable if you saw it in a movie. Serving in the U.S. Army in the Second World War in Italy, he took part in many distinguished acts of heroism. Via Wikipedia, here’s what earned him the Medal of Honor:

“The Germans scored a direct hit on an M10 tank destroyer, setting it alight, forcing the crew to abandon it. Murphy ordered his men to retreat to positions in the woods, remaining alone at his post, shooting his M1 carbine and directing artillery fire via his field radio while the Germans aimed fire directly at his position. Murphy mounted the abandoned, burning tank destroyer and began firing its .50 caliber machine gun at the advancing Germans, killing a squad crawling through a ditch towards him. For an hour, Murphy stood on the flaming tank destroyer returning German fire from foot soldiers and advancing tanks, killing or wounding 50 Germans. He sustained a leg wound during his stand, and stopped only after he ran out of ammunition. Murphy rejoined his men, disregarding his own wound, and led them back to repel the Germans. He insisted on remaining with his men while his wounds were treated. For his actions that day, he was awarded the Medal of Honor. The 3rd Infantry Division was awarded the Presidential Unit Citation for its actions at the Colmar Pocket, giving Murphy a Bronze Oak Leaf Cluster for the emblem.”

This was after several bouts of malaria and losing a bit of hip muscle to gangrene. Murphy left the U.S. Army as a first lieutenant, and later achieved the rank of Major with the Texas Army National Guard.

Happy Veteran’s Day to all you veterans!

Back from Vacation

After a week away from work (the real job), I’m back delving into the wonders of the Las Vegas real estate market. Over the past nine days, I managed to almost finish NOD 29 and got some heavy work done on my World War II supplement to GRIT & VIGOR. I also watched some B-movies, did some yard work, got the hard copy of MYSTERY MEN! Second Edition created and ordered a proof copy (it’s going to be in color), found some cheap old AD&D artifacts at a used record store, watched my daughter in her first Shakespeare play (she played the nurse in Romeo & Juliet) and didn’t shave.

I also didn’t do any blog posts, though I did keep in touch with the gaming community via Google +. For those who didn’t see that, I present two characters for GRIT & VIGOR, one a character from an old movie, the other an actor. For those who did, I’ll throw in a third character – a dangerous lady.

Vince Kane – A Character You Probably Do Not Know

Vince Kane is the main character in an old George Raft picture called A Dangerous Profession (1949). It’s not a great movie, but a movie doesn’t have to be great to inspire usable game material. The beauty of B-movies and simple stories is that they’re usually easier to adapt into modern game scenarios. Much of what makes a movie great – strong characterizations, interesting character relationships, etc. – does not always translate well into a game, or at least should come from the interaction of the players and game master, rather than be programmed and forced on everyone. A good game often revolves around a good plot that is not too hard to follow, since players are usually grasping around in the dark during game play. Vince Kane is also an interesting idea for an detective who isn’t technically a professional detective, much in the way that Matlock and Perry Mason are detectives who are technically lawyers.

Vince Kane is an ex-cop turned bail bondsman. Things heat up when a buddy of his from the police force, Lt. Nick Ferrone (played by Jim Backus) picks up Claude Brackett, who skipped bail a few years back for an embezzlement charge. Checking Brackett’s room, Kane discovers that he’s in town with the woman who broke his heart, who turns out to now be the embezzler’s wife, Lucy Brackett. When Claude Brackett turns up murdered, Kane investigates and discovers a web of lies.

N Private Eye, LVL 8, HP 36, AC 11, MV 40, ATK +5, SV F12 R7 W9

Str 10 Int 12 Wis 15 Dex 14 Con 13 Cha 8

Special: Detect clue (2 in 6), detect lie (4 in 6), get a clue from Venture Master, back stab, note concealed items, +2 save vs. fear

Knacks: Cant*, Influence People

Skills: Cant*, Crack Code, Gather Intelligence, Hide in Shadows, Listen at Doors, Move Silently, Search, Sleight of Hand and Track (humans only)

Feats: Grappler, Iron Will, Lighting Reflexes

* Cant in this context is the tough talk of old Hollywood gangster movies

Hoot Gibson, A Man More Interesting than His Characters

Now we shift from a character to a real person who was, himself, quite a character. It’s not too often you come across an actor’s biography which is more interesting than the characters he played. Hoot Gibson is one of those fellows.

Hoot started riding horses as a boy in Nebraska, and after the family moved to California he started working on ranches. He showed a talent for it, and soon started competing in rodeos, winning several honors. It was during his rodeo days that he started acting in silent movies. After a stint as a sergeant in the Tank Corps in World War I, he went back to rodeo and movies, usually as a bit player and stunt rider. In 1922, when demand was high for cowboy pictures, he moved into starring roles and made a whole slew of pictures. Hoot also learned to fly planes and even got injured in a crash while racing planes.

Like I said, he was an interesting fellow.

N Cowboy/Fighter, LVL 7/3, HP 39, AC 12, MV 40, ATK +4, SV F9 R8 W12, Str 13 Int 9 Wis 11 Dex 16 Con 13 Cha 13

Special: +2 save vs. trample attacks, rope (add half horse’s HD to lasso attacks), select exceptional horses, surprised 1 in 8, no penalty when grappling large animals, extra attack against opponents with fewer HD

Knacks: Don Disguise, Handle Animals, Pilot Aircraft

Skills (Cowboy): Appraise value (livestock), endure, gamble, handle animal, jump, ride mount, survive outdoors, track

Skills (Fighter): Bend bars, break down doors, endure, gunnery, jump, lift gates

Feats: Dodge, Knack, Pugilist

Weapons: Colt Single-Action Army (1d6), Winchester M1894 repeating rifle (2d4)

Ma Barker

I don’t know how much cache’ the gangsters of the Depression have these days with the young people, but they once had a standing approaching folk heroes. Bonnie and Clyde, ‘Baby Face’ Nelson, John Dillinger, etc. And then there’s Ma. Ma Barker. Ma Barker had four criminal sons, Herman, Lloyd, Arthur and Fred, and served as their ring leader … or did she?

From the sound of it, Ma Barker as criminal mastermind of her sons’ foul play is the bunk. One gangster, Alvin Karpis, described her as “superstitious, gullible, simple, cantankerous and, well, generally law abiding.” She was clearly an accomplice in the criminal activities of the gang, helping them before and after crimes, but probably was not the gun-totin’ mama of popular culture. When J. Edgar Hoover described her as “the most vicious, dangerous and resourceful criminal brain of the last decade”, he was probably full of shit. I know – J. Edgar Hoover, an agent of the federal government – lying is hard to believe.

But in GRIT & VIGOR, when truth isn’t stranger than fiction, we slap it around a little until it is. Our Ma Barker is the gangster of the movies, engaging in gun play and maybe even chomping on a cigar while her minions rob banks.

NE Rogue, LVL 8, HP 28, AC 10, MV 40, ATK +5, SV F12 R9 W10, Str 8 Int 15 Wis 13 Dex 11 Con 11 Cha 12

Special: Backstab for +2d6 damage, note concealed items

Knacks: Gather Intelligence*, Treat Injury

Skills : Appraise Value, Cant, Don Disguise, Gather Intelligence*, Hide in Shadows, Influence People, Listen at Doors, Move Silently

Feats: Exploit Weakness, Improvise, Iron Will, Leadership

Weapons: Thompson sub-machine gun (1d6)