Hey folks – it’s a three day weekend in these parts, so I’m still on schedule with a post every weekend.
I was going to do a Dragon-by-Dragon today, but instead decided to write about a little B-movie I finished watching last night, the 1945 “classic” The Vampire’s Ghost. While the movie does not involve a vampire’s ghost, it is a better movie than it has a right to be, possibly because it was written by Leigh Brackett. If you don’t know who Leigh Brackett is, well go find out. She was a classic sci-fi author, and did some fine screenwriting on The Big Sleep, Rio Bravo and The Long Goodbye. The film we’re talking about today was her first such effort, and in it she brings more talent to the picture than one would expect of a low-budget Republic film.
She’s joined in this by the the villain in the piece, John Abbott. Just to maintain the Star Trek theme I’ve been on for a while, he played the lead Organian in the episode “Errand of Mercy”. In this picture, he plays the vampire, and I think he’s one of my favorites. In classic Hollywood, the Vampire didn’t usually have much depth, and was often played for shock value. Bela Lugosi’s turn as Dracula is an exception, of course.
It also helps that the movie is based loosely on “The Vampyre” written by John William Polidori in 1816. Between Polidori, Brackett and Abbott, you get a hidden nugget from the studio days of Hollywood.
In The Vampire’s Ghost, Abbott plays Webb Fallon, an English vampire who has “lived” at least since the days of the Spanish Armada. He brings a really rate matter-of-factness to his vampire portrayal – he’s not happy about his condition, but he shows no remorse for his victims, and he mostly uses his ability to hypnotize and control people to get away with it. In the film, he is now running a drinking establishment in the African town of Bakunda. As in Dracula, the movie wastes little time in revealing that the mysterious killer around Bakunda is a vampire, and that Fallon is that vampire. The natives discover it first, and the “hero” of the picture, Roy Hendrick (Charles Gordon) is soon clued in, but is hypnotized by Fallon before he can do anything about it. Strange for many such movies, the supposed hero spends most of the movie unable to do anything against the villain. The vampire really is the protagonist in the film, making all the moves and committing his villainy unrestrained until … well, I won’t give everything away.
The main point here is that, in this largely forgotten B-movie, there’s a really cool vampire depiction thanks largely to two talented people, Leigh Brackett and John Abbott, and despite the low budget and relative apathy of Republic Pictures. To tie this in to roleplaying games, the Webb Fallon vampire should give a good game master some ideas about playing a vampire in a game in a way that might surprise the players.
Check it out, if you have a mind to …